Delusion Sentiment in Garhwali Folk Drama

गढवाली लोक नाटकों में  मोह या मूर्छा भाव

Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -30

                                        Bhishma Kukreti

           According to Bharat’s Natyashastra, delusion sentiment in drama is displayed by staggering, falling, reeling, no seeing properly and so on.

  I remember Ramlila of Mitragram, Malla Dhangu , Pauri Garhwal wherein Jay Ram Jakhmola played the role of Dashrath.  In Ramlila, when Dashrath heard the order of his second wife Kaikeyi due to promise of Dashrath that Rama had to spend fourteen years in forest, Dashrath became fainted. Jay Ram displayed the sentiment of delusion perfectly.

  I watched a folk drama played by Badis where a Badi performed the role of a hunter. The hunter was hunting a tiger in night with two other mates.  One of mates told the chief hunter that there is a Bhut and chief hunter was gone fainted or gone delusion by just knowing that a Bhut (dead soul) is before him instead of tiger.   The r Badi performed the role of afraid hunter who was staggering, falling as if Bhut caught him.

Copyright @ Bhishma Kukreti, bckukreti@gmail.com  1/11/2013

              Review of Characteristics of Garhwali Folk Drama, Folk Rituals and Traditional Plays part to be continued… 

                    References

1-Bharat Natyam

2-Steve Tillis, 1999, Rethinking Folk Drama

3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life 

4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research

5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India

6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen 

7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12

8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet

9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments

10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach

11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara

12- Bhishma Kukreti, 2007, Garhwali lok swangun ma rasa ar Bhav , Chithipatri

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Delusion Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays; Delusion Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Delusion Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia; Delusion Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia; Delusion Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Delusion Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia; Delusion Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; Delusion Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia;

गढवाली लोक नाटकों में मोह या मूर्छा  भाव; टिहरी गढ़वाल के गढवाली लोक नाटकों में  मोह या मूर्छा   भाव;उत्तरकाशी गढ़वाल के गढवाली लोक नाटकों में मोह या मूर्छा    भाव;हरिद्वार गढ़वाल के गढवाली लोक नाटकों में  मोह या मूर्छा   भाव;देहरादून गढ़वाल के गढवाली लोक नाटकों में    मोह या मूर्छा  भाव;पौड़ी गढ़वाल के गढवाली लोक नाटकों में   मोह या मूर्छा   भाव;चमोलीगढ़वाल के गढवाली लोक नाटकों में   मोह या मूर्छा   भाव; रुद्रप्रयाग गढ़वाल के गढवाली लोक नाटकों में  मोह या मूर्छा    भाव;