गढवाली लोक नाटकों / लोक गीतों में जड़ता भाव
Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -37
According to Bharat’s Natyashastra, stupor is demonstrated in drama by keeping silent, uttering inaudible words, remaining absolutely quiet, unblinking eyes, and needing support from other.
In this situation, the performer/actor/actress shows as if she /he do not want to do anything.
The following example is stupor sentiment in Garhwali prose dram played by Badi and Badan in village Jaspur, Malla Dhangu, Pauri Garhwal around March 1963-64AD
Before the following dialogues the mother in law and daughter in law quarrel on other subject and suddenly the mother in law brings the subject of childlessness of her daughter in law. The mother in law curses the parents of daughter in law and hearing those harsh, cursing words from her mother in law, the daughter in law becomes stunned.
गढ़वाली लोक नाट्य, लोक गीतों में जड़ता भाव
बादी-बादण द्वारा खेले गए एक गढ़वाली लोक नाटक में वार्तालाप के कुछ अंश
सासु - हूँ ! त्यार मैती मेरा जन्मूँ बैरी छन …… जौन अपण बांज नौनी म्यारनौनु पर चिपकाए
ब्वारि - ह्यां पण इखमा म्यार मैत्युं क्या द्वाष ?
सासु - जा ! म्यार भी नागराजा सै होलु त त्यार मैती बि निपूत ह्वे जैन !
(इना सासु भैर जांदी उना बुडड़ि को बेटा भीतर आंद)
बुड़ड़िs बेटा - हैं ! ये कुमळि ! क्यो छे तु अड़गटिं , अर किलै छन त्यार आँखकताड्यां ? किलै तु चुप छे ? अर त्यार गिच बंद किलै च?
Bhu t and Stupor sentiment
When a person becomes victim of evil soul, usually the victim becomes stunned and then tantric sings folk songs.
Divta ku An
Many times, when a deity soul enters into body of human being in any Ghdyal (folk ritual) the person becomes stunned.
Copyright @ Bhishma Kukreti, bckukreti@gmail.com 12/11/2013
Review of Characteristics of Garhwali Folk Drama, Folk Rituals and Traditional Plays part to be continued…
References
1-Bharat Natyam
2-Steve Tillis, 1999, Rethinking Folk Drama
3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life
4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research
5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India
6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen
7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12
8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet
9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments
10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach
11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara
12- Bhishma Kukreti, 2007, Garhwali lok swangun ma rasa ar Bhav , Chithipatri
Xx
Stupor Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays; Stupor Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Stupor Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia; Stupor Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia; Stupor Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Stupor Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia; Stupor Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; Stupor Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia;
गढवाली लोक नाटकों में जड़ता भाव; टिहरी गढ़वाल के गढवाली लोक नाटकों में जड़ता भाव;उत्तरकाशी गढ़वाल के गढवाली लोक नाटकों में जड़ता भाव;हरिद्वार गढ़वाल के गढवाली लोक नाटकों में जड़ता भाव;देहरादून गढ़वाल के गढवाली लोक नाटकों में जड़ता भाव;पौड़ी गढ़वालके गढवाली लोक नाटकों में जड़ता भाव;चमोली गढ़वाल के गढवाली लोक नाटकों में जड़ता भाव; रुद्रप्रयाग गढ़वाल के गढवाली लोक नाटकों में जड़ता भाव;
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