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उत्तराखंडी ई-पत्रिका

उत्तराखंडी ई-पत्रिका

Monday, November 4, 2013

Bashfulness Sentiment in Garhwali Folk Drama

   गढवाली लोक नाटकों में   व्रीड़ा  Vreeda  भाव

Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -33

                                        Bhishma Kukreti

           According to Bharat’s Natyashastra (7.57), bashfulness sentiment is performed by covering the face, thinking bowing down the head, dullness of eyes, writing on the ground, touching the clothes and ring and biting nails and like that.
          I remember we children played folk drama in Nau Dhar jungle (village Jaspur, Malla Dhangu, Pauri Garhwal) while taking caws for grazing. We played that folk drama under an oak tree.
            We copied a folk ritual of ‘Tumdi Ritan’ for catching a thief who theft ornaments from a house. ‘Tumdi Ritan’ means through black magic and ritual chanting the Tumdi (dry and empty bottle gourd) walks exactly to the door of thief.
            One of us Shibu Jakhmola became ritual priest and he chanted rituals (Mantra). The Tumdi reached to Prem Kukreti -one of us. The thief performer Prem Kukreti showed blushing performance by hiding his face and scratching ground by foot nail and biting nails too. Prem Kukreti said,” na na min t .. naa .. naa …”. It was marvelous performances of bashfulness by Prem Kukreti.


Copyright @ Bhishma Kukretibckukreti@gmail.com  4/11/2013


              Review of Characteristics of Garhwali Folk Drama, Folk Rituals and Traditional Plays part to be continued… 

                    References
1-Bharat Natyam
2-Steve Tillis, 1999, Rethinking Folk Drama
3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life 
4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research
5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India
6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen 
7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12
8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet
9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments
10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach
11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara
12- Bhishma Kukreti, 2007, Garhwali lok swangun ma rasa ar Bhav , Chithipatri
Xx
Notes on Bashfulness Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays; Bashfulness Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Bashfulness Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia; Bashfulness Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia; Bashfulness Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Bashfulness Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia; Bashfulness Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; Bashfulness Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia;

गढवाली लोक नाटकों में व्रीड़ा  भावटिहरी गढ़वाल के गढवाली लोक नाटकों में व्रीड़ा  भाव;उत्तरकाशी गढ़वाल के गढवाली लोक नाटकों में व्रीड़ा  भाव;हरिद्वार गढ़वाल के गढवाली लोक नाटकों में  व्रीड़ा  भाव;देहरादून गढ़वाल के गढवाली लोक नाटकों में  व्रीड़ा  भाव;पौड़ी गढ़वाल के गढवाली लोक नाटकों में  व्रीड़ा  भाव;चमोली गढ़वाल के गढवाली लोक नाटकों में  व्रीड़ा  भाव;रुद्रप्रयाग गढ़वाल के गढवाली लोक नाटकों में  व्रीड़ा  भाव;