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उत्तराखंडी ई-पत्रिका

उत्तराखंडी ई-पत्रिका

Monday, November 25, 2013

Resolution Sentiment in Garhwali Folk Dramas

 गढवाली लोक नाटकों / लोक  गीतों में  मति      भाव

Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -48

                                    Bhishma Kukreti
            Mati in Bharat Natyashastra means to take appropriate decision after thorough analysis of concept or matter from the bases of old knowledge and experiences.
        According to Bharat’s Natyashastra, resolution should be demonstrated in stage plays by preaching, sacred speech, explaining and clearing doubts etc.
  There are many instances of resolution in Garhwali folk drama especially religious stories etc.
 There is very important ritual among Uttarakhandi called ‘Saptah’ or Shrimad Bhagvat Puran ‘. The Vyas or Preaching priest tells various preaching stories from Shriamd Bhagvat a Sanskrit epic.
                    The following folk song is sung by Dalya Guru (a Caste in Garhwali related to Nath sect) while roaming village to village. Dalya Guru sings the poetic story of Guru Gorakhnath, Bhartihari, Gopichand etc and playing Ektara. The following folk song is from one of folk songs sung by  Dalya Guru  dramatically is one examples of resolution in Garhwali folk drama.

गढवाली लोक नाटक में मति    भाव  (Dalya Lokgeet  )

ऋद्धि  को सुमिरों सिद्धि को सुमिरों सुमिरों सारदा माई।
अर  सुमिरों गुरु अविनाशी को सुमिरों कृष्न कनाई।
सदा अमर नि रैंदी धरती माता बजर पड़े टूट जाई।
अमर नि रैंदा चंद सुरजि छुचा मेघ घिरे छिप जाई।।१।।  
माता रोये जनम कूं बहिन रोयेबहिन रोये छै मासा।
तिरिया रोये डेढ़ घड़ी कूँ आन करे घर बासा।।२।।
कागज़ पतरी सब कुई बांचे करम नि बांचे कुई।
राज घरों को राजकुंवर बुबा करणी जोग लिखाई।। ३ ।।
सुन रै बेटा गोपीचंद जी बात सुनो चित लाई।
कंचन कया कंचन कामिनी मति कैसे भरमाई।।  ४।।  
अलख निरंजन अलख निरंजनसुन रे बेटा गोपीचंद जी बात सुनो चित लाई।
अलख निरंजन अलख निरंजन जपो रे भाई हो भव सागर पार

 Remember Riddhi and Siddhi, Remember Sharda goddess
Remember Guru Avinasi , remember Krishna Kanhahi
The earth is not immortal, breaks on cloud bursting
Sun and Moon are not immortal, Clods cover them
Mother weeps for ever for her dead child, sister shows grief for six months
Wife grief for one and half hours.
Anybody can read written on paper but nobody can read luck or future
The prince had to become sage
O Gopichand! Take the words by heart and be Sanyasi
Why the external world is deceiving you ?
Alakh Niranjan, Alakh Niranjan …..



  

Copyright@ Bhishma Kukreti 25/11/2013

Review of Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter.

                 References
1-Bharat Natyam
2-Steve Tillis, 1999, Rethinking Folk Drama
3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life 
4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research
5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India
6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen 
7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12
8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet
9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments
10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach
11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara
12- Bhishma Kukreti, 2007, Garhwali lok swangun ma rasa ar Bhav , Chithipatri
Xx
 Resolution Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays; Resolution Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Resolution Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia; Resolution Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia; Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Resolution Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia; Resolution Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; Resolution Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia;
गढवाली लोक नाटकों में   मति भावटिहरी गढ़वाल के गढवाली लोक नाटकों में  मति भाव;उत्तरकाशी गढ़वाल के गढवाली लोक नाटकों में मति  भाव;हरिद्वार गढ़वाल के गढवाली लोक नाटकों में  मति  भाव;देहरादूनगढ़वाल के गढवाली लोक नाटकों में  मति  भाव;पौड़ी गढ़वाल के गढवाली लोक नाटकों में  मति  भाव;चमोली गढ़वाल के गढवाली लोक नाटकों में   भावरुद्रप्रयाग गढ़वाल के गढवाली लोक नाटकों में  मति  भाव;