Recollection Sentiment in Garhwali Folk Drama

 गढवाली लोक नाटकों में   स्मृति  भाव

Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -31

                                        Bhishma Kukreti

 According to, Bharat Natyashastra, recollection in drama should be demonstrated in acting by shaking the head, looking down and raising eye brows etc

I remember a folk drama played by Badis in Lang year in Chait month in village Jaspur, Malla Dhangu, Pauri Garhwal. In between there was a scene wherein a young boy comes in village and met an old woman. She did not recognize the boy and wanted to remember the boy.

नौनु - सिमनैन ददि

 बुडड़ि (अपन मुंड जोर से कन्यान्द कन्यान्द )- इ कु छे ? काऴया नाती टी नि छे ? 

नौनु - ना

बुडड़ि (अपण बाळ झमडांद )- त बालीक नौनु होली तू ? 

नौनु - ना

Boy- Grandmother! Greeting!

Old woman (scratch her hair and head)- Who are you/ Are you son of Kalya?

Boy-No

Old woman (She pulls her hair) - Are you son of Bali?

Boy-No

 It was marvelous acting by Badan actress to memorize for recognizing the boy.

Copyright @ Bhishma Kukreti, bckukreti@gmail.com  2/11/2013

              Review of Characteristics of Garhwali Folk Drama, Folk Rituals and Traditional Plays part to be continued… 

                    References

1-Bharat Natyam

2-Steve Tillis, 1999, Rethinking Folk Drama

3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life 

4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research

5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India

6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen 

7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12

8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet

9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments

10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach

11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara

12- Bhishma Kukreti, 2007, Garhwali lok swangun ma rasa ar Bhav , Chithipatri

Xx

Recollection Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays; Recollection Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Recollection Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia; Recollection Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia; Recollection Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Recollection Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia; Recollection Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; Recollection Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia;

गढवाली लोक नाटकों में  स्मृति भाव; टिहरी गढ़वाल के गढवाली लोक नाटकों में  स्मृति भाव;उत्तरकाशी गढ़वाल के गढवाली लोक नाटकों में स्मृति  भाव;हरिद्वार गढ़वाल के गढवाली लोक नाटकों में    भाव;देहरादून गढ़वाल केगढवाली लोक नाटकों में  स्मृति  भाव;पौड़ी गढ़वाल के गढवाली लोक नाटकों में  स्मृति  भाव;चमोली गढ़वाल के गढवाली लोक नाटकों में   स्मृति भाव;रुद्रप्रयाग गढ़वाल के गढवाली लोक नाटकों में  स्मृति  भाव;