गढवाली लोक नाटकों / लोक गीतों में मरण भाव
Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -51
According to Bharat’s Natyashastra (7/8), death sentiment is performed in drama by loose body, motionlessness, closed eyes, hiccups, unnatural breathing, vacant looks towards relations and indistinct speech.
Two types of deaths are shown in Garhwali folk dramas. First death is shown by disease, While second type of death is shown by taking poison, snake bites, , killing by wild animals, accidents or by weapons.
I remember a folk drama played by us in our teen age in Layed ka Dand in Jaspur village, Malla Dhangu, Pauri Garhwal in 1969-1970 while we took cattle for grazing there.
The folk drama was about taking the dead body to cremation Ghat (bank of Ganga).Before the procession of dead body to Ghat a person dies by disease. The boy who died in the drama by disease showed many acts of dying by disease as closing eyes, trying to tell his eldest son to look after his mother and infant brother, hiccups and deep last breath etc.
Mostly, Badis show entertaining dramas.
There many folk dramas of folklores wherein death sentiment is shown. For example, all Ran Bhut, all folk songs related to religious Jagar of Hantya show death sentiment.
The folk drama Chakravyuha created by Dr. D.r.Purohit or by Dr. Rakesh Bhatt from Shrinagar Garhwal is one of the best examples of showing death by weapons. In this folk dram Abhimanyu’s death is shown by weapon killing.
Copyright@ Bhishma Kukreti 29/11/2013
Review of Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter.
References
1-Bharat Natyashastra
2-Steve Tillis, 1999, Rethinking Folk Drama
3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life
4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research
5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India
6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen
7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12
8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet
9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments
10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach
11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara
12- Bhishma Kukreti, 2007, Garhwali lok swangun ma rasa ar Bhav , Chithipatri
Xx
Death Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays; Death Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Death Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, Death South Asia; Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia; Death Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Death Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia; Death Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; Death Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia;
गढवाली लोक नाटकों में मरण भाव; टिहरी गढ़वाल के गढवाली लोक नाटकोंमें मरण भाव;उत्तरकाशी गढ़वाल के गढवाली लोक नाटकों में मरण भाव;हरिद्वारगढ़वाल के गढवाली लोक नाटकों में मरण भाव;देहरादून गढ़वाल के गढवालीलोक नाटकों में मरण भाव;पौड़ी गढ़वाल के गढवाली लोक नाटकों में मरण भाव;चमोली गढ़वाल के गढवाली लोक नाटकों में मरण भाव; रुद्रप्रयाग गढ़वालके गढवाली लोक नाटकों में मरण भाव;
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