Pathos Rapture in Garhwali Folk Dramas

 गढवाली लोक नाटकों / लोक  गीतों में   करूण रस

Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -60

                                    Bhishma Kukreti

               According to Bharat’s Natyashastra, the pathos rapture is produced by means of noticing the death of a beloved one or hearing unpleasing words and so on

         All the Hantya Jagar (Ritual folk Songs Jagar) are examples of pathos rapture in Garhwali folk Dramas.

        Abhimnayu Death is another example of Pathos in Garhwali folk dramas.

    Example of   कळकल़ो रस ( करूण रस ) Pathos Rapture in Garhwali folk dramas

मारी दिने वैन कालू भंडारी धोखा मा I

रोये बराये तब राणी ध्यानमाला , 

झटके उनी जनी उखड़े सी माछी I

मै क तैं पायूँ सोहाग हरचे,

मैं क तै मागी भीक हरचे खतेगे,

कनो मै क तैं देव रूठे ?

रख वींन जानगो मा कालो को सर,

बैं जंग पर धरे वो रूपु गंगसारी I

रोंदी बरान्दी चढ़े चिता ऐंच ,

सती होई गये तब ध्यानमाला i    

(कालू भंडारी रणभूत   लोक गीत )

He killed Kalu Bhandari by deceptive means

Dhyanmala wept loudly

She was jumping as fish on waterless land

She said that I lost my beloved

I lost the materials got by begging (from god)

The god is unhappy with me

She kept the head of dead Kalu Bhandari

She sat on the pyre with Kalu Bhandari

Dhyanmala became sati (burnt alive).

Copyright@ Bhishma Kukreti 17/12/2013

Review of Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter.

                 References

1-Bharat Natyashastra

2-Steve Tillis, 1999, Rethinking Folk Drama

3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life 

4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research

5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India

6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen 

7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12

8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet

9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments

10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach

11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara

12- Bhishma Kukreti, 2007, Garhwali lok swangun ma rasa ar Bhav , Chithipatri

 Xx

Pathos Rapture  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays; Pathos Rapture  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Pathos Rapture  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia; Pathos Rapture  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia; Pathos Rapture  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Pathos Rapture  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia; Pathos Rapture  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; Pathos Rapture  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia;

गढवाली लोक नाटकों में करूण  रस  टिहरी गढ़वाल के गढवाली लोक नाटकोंमें करूण रस;उत्तरकाशी गढ़वाल के गढवाली लोक नाटकों में  करूण  रस,हरिद्वार गढ़वाल के गढवाली लोक नाटकों में करूण रस;देहरादून गढ़वाल केगढवाली लोक नाटकों में  करूण रस;पौड़ी गढ़वाल के गढवाली लोक नाटकों में करूण रस;चमोली गढ़वाल के गढवाली लोक नाटकों में  करूण  रस; रुद्रप्रयागगढ़वाल के गढवाली लोक नाटकों में करूण   रस;