Terror Sentiment in Garhwali Folk Dramas, Folk Rituals, Community Theaters and Traditional Plays
गढवाली लोक नाटकों / लोक गीतों में त्रास भाव
Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -52
According to Bharat’s Natyashastra (7/90), terror sentiment is performed in drama by contraction of limbs, paralysis, horripilation, chocking of voice, and irrelevant speech.
The terror is generated by falling of sound of cloud bursting, stars, electric glow in the sky.
The women in Garhwal play folk drama in the Geetun maina or Chait month (Song-Month 15th March- 14th April) in the night. This author had experience of Garhwali women showing terror sentiment in their own created dramas.
I remember one drama created and played by village women of Jaspur, Malla Dhangu, Pauri Garhwal India. In the next scene there was a death of a woman at the time of childbirth. Before that death scene, in the drama scene was the women were talking about falling of starts and comet, there were crying of foxes. The scene of drama played by women was terror some.
गढवाली लोक नाटक में त्रास भाव
( पैल एक जनानी स्वील हूणो नाटक चलद )
भैर एक स्त्री - ये भुलि मि तैं अण भरवस लगणु च। मीन उ एक गैणा टुटद द्याख
दुसरि - सि सूणि लेदी ! स्याळ बि फ्योड जन बासणा छन।
There are many instances of terror sentiment in Garhwali religious folk songs (Jagar) as in Ranbhut, Krishna birth, Anchheri, Abhimanyu vadh, Jagar etc. hearing the description of terror situations in the folk songs many soft hearted people start weeping in Jagar of Ghadela
Copyright@ Bhishma Kukreti 30/11/2013
Review of Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter.
References
1-Bharat Natyashastra
2-Steve Tillis, 1999, Rethinking Folk Drama
3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life
4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research
5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India
6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen
7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12
8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet
9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments
10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach
11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara
12- Bhishma Kukreti, 2007, Garhwali lok swangun ma rasa ar Bhav , Chithipatri
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Terror Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays; Terror Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Terror Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia; Terror Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia; Terror Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Terror Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia; Terror Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; Terror Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia;
गढवाली लोक नाटकों में त्रास भाव; टिहरी गढ़वाल के गढवाली लोक नाटकों में त्रास भाव;उत्तरकाशी गढ़वाल के गढवाली लोक नाटकों में त्रास भाव;हरिद्वार गढ़वाल के गढवाली लोक नाटकों में त्रास भाव;देहरादून गढ़वाल के गढवाली लोक नाटकों में त्रास भाव;पौड़ी गढ़वाल के गढवाली लोक नाटकों में त्रास भाव;चमोली गढ़वाल के गढवाली लोक नाटकों में त्रासभाव; रुद्रप्रयाग गढ़वाल के गढवाली लोक नाटकों में त्रास भाव;
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