Stunning Emotional Sentiments in Garhwali Folk Dramas

गढवाली लोक नाटकों / लोक  गीतों में  स्तम्भ    भाव

Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -55

                                   Bhishma Kukreti

                According to Bharat’s Natyashastra (7/101), the stunning emotional sentiment is demonstrated in a drama by performing by being still, motionless,, without sense, and by stiffening the body.

  There are instances of demonstration of stunning emotional sentiment in various Garhwali folk dramas as in Ramayana play or in many Jagar folk Songs.

   In Ramlila, Dashrath becomes stunned after fulfilling his promise to order his elder son Rama for exile for fourteen years.

            In Bhanu Bhopalu, a Ranbhut Jagar (folk drama)  or religious ritual folk song , there is an event of stunning emotional sentiment.

भानु भोपालो रणभूत   जागर में स्तम्भ भाव

Stunning Emotional Sentiments in Bhanu Bhopalo Ranbhut Jagar a Garhwali Folk Dramas

भानु भोपालो स्वर्गवास होये

xxx

 मलासदी सेयीं मुखड़ी वीं की माता -

हे  बेटा , मेरा कसूर नी

Copyright@ Bhishma Kukreti 4/12/2013

Review of Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter.

                 References

1-Bharat Natyashastra

2-Steve Tillis, 1999, Rethinking Folk Drama

3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life 

4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research

5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India

6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen 

7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12

8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet

9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments

10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach

11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara

12- Bhishma Kukreti, 2007, Garhwali lok swangun ma rasa ar Bhav , Chithipatri

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Stunning Emotional Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays; Stunning Emotional Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Stunning Emotional Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia; Stunning Emotional Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia; Stunning Emotional Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Stunning Emotional Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia; Stunning Emotional Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; Stunning Emotional Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia;

गढवाली लोक नाटकों में  स्तम्भ   भाव; टिहरी गढ़वाल के गढवाली लोक नाटकों में  स्तम्भ भाव;उत्तरकाशी गढ़वाल के गढवाली लोक नाटकों में स्तम्भ  भाव;हरिद्वार गढ़वाल के गढवाली लोक नाटकों में  स्तम्भ  भाव;देहरादूनगढ़वाल के गढवाली लोक नाटकों में  स्तम्भ  भाव;पौड़ी गढ़वाल के गढवाली लोक नाटकों में   स्तम्भ भाव;चमोली गढ़वाल के गढवाली लोक नाटकों में   स्तम्भ भाव; रुद्रप्रयाग गढ़वाल के गढवाली लोक नाटकों में  स्तम्भ  भाव;