Emotional Sentiments in Garhwali Folk Dramas

गढवाली लोक नाटकों / लोक  गीतों में  सात्विक    भाव

Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -54

                                    Bhishma Kukreti

 According to Bharat’s Natyashastra, (7/94); the eight emotional sentiments are – stunning, Sweat, Choking of Voice, Thrill, Trembling, Change of facial complexions, Tears and Fainting.

 Bharat’s Natyashastra (7/93) explains that the mind is known as ‘Satwa’ in the histrionics. The emotional sentiment can’t be performed without empathy between mind and the performer.

                  In Garhwali folk dramas, there are emotional sentiments in each drama. In the future chapter,  the author will explain with example for each emotional sentiment in Garhwali folk drama.

Copyright@ Bhishma Kukreti 3/12/2013

Review of Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter.

                 References

1-Bharat Natyashastra

2-Steve Tillis, 1999, Rethinking Folk Drama

3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life 

4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research

5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India

6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen 

7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12

8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet

9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments

10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach

11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara

12- Bhishma Kukreti, 2007, Garhwali lok swangun ma rasa ar Bhav , Chithipatri

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Emotional Sentiments in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays; Emotional Sentiments in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Emotional Sentiments in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia; Emotional Sentiments in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia; Emotional Sentiments in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Emotional Sentiments in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia; Emotional Sentiments in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; Emotional Sentiments in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia;

गढवाली लोक नाटकों में  सात्विक  भाव; टिहरी गढ़वाल के गढवाली लोक नाटकों में  सात्विक  भाव;उत्तरकाशी गढ़वाल के गढवाली लोक नाटकों में   सात्विक  भाव;हरिद्वार गढ़वाल के गढवाली लोक नाटकों में  सात्विक  भाव;देहरादून गढ़वाल के गढवाली लोक नाटकों में  सात्विक   भाव;पौड़ीगढ़वाल के गढवाली लोक नाटकों में  सात्विक   भाव;चमोली गढ़वाल केगढवाली लोक नाटकों में  सात्विक   भाव; रुद्रप्रयाग गढ़वाल के गढवाली लोक नाटकों में  सात्विक   भाव;