Female Ornaments in Garhwali Folk Dramas

Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -138 

                             

                     Bhishma Kukreti (लोक साहित्य शोधार्थी)

                  गढ़वाली लोक नाटकों में  महिला  आभूषण

                The names of various ornaments change time to time as per the fashion in Garhwali too. Therefore the names would be provided in Sanskrit.

          The Female Head Ornaments in Garhwali Folk Dramas

Shikhpasha

Shishjal

Shishful

Makarika

Shirsajal

Tilak/ Bindi

The Female Ear Ornaments in Garhwali Folk Dramas

Kundal

Murkhal

Shikhipatra

Karnika

Karnpatra

Karnavalaya

Patrakarnika

Karnamudra

Karnotkilaka

Karnpura

The Female Neck Ornaments in Garhwali Folk Dramas

Gulbanda

Hansuli

Mala /Sutra

 Mangalsutra

The Female Breast Ornaments in Garhwali Folk Dramas

Various chains etc

The Female Arm Ornaments in Garhwali Folk Dramas

Angada

Valaya (Chudi, Kangan etc)

Varjura

Svecchitika

The Female Finger Ornaments in Garhwali Folk Dramas

Kataka

Kalashakha

Hastapatra

Supuraka

Mundari

The Female Hip Ornaments in Garhwali Folk Dramas

Kanchi

Kulaka

Mekhala

Rashana

Kalapa

The Female Ankle Ornaments in Garhwali Folk Dramas

Nupura

Kinkini

Padpatra

Toe rings and ornaments

Various decorative colour works on ankle and arm etc

Copyright@ Bhishma Kukreti 17/4/2014

Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter

                 References

1-Bharat Natyashastra

2-Steve Tillis, 1999, Rethinking Folk Drama

3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life 

4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research

5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India

6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen 

7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12

8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet

9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments

10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach

11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara

12- Bhishma Kukreti, 2007, Garhwali Lok Swangun ma rasa ar Bhav , Chithipatri

 XX

    Female Ornaments in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays; Female Ornaments  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Female Ornaments in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia;  Female Ornaments in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia;  Female Ornaments in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Female Ornaments in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia; Female Ornaments   in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; Female Ornaments in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia

गढवाली लोक नाटकों में महिला  आभूषण ,  टिहरी गढ़वाल के गढवाली लोकनाटकों में महिला  आभूषण ;उत्तरकाशी गढ़वाल के गढवाली लोक नाटकों मेंमहिला  आभूषण, हरिद्वार गढ़वाल के गढवाली लोक नाटकों में  महिला आभूषण ;देहरादून गढ़वाल के गढवाली लोक नाटकों में महिला आभूषण;पौड़ी गढ़वाल के गढवाली लोक नाटकों में महिला  आभूषण;चमोलीगढ़वाल के गढवाली लोक नाटकों में महिला  आभूषण; रुद्रप्रयाग गढ़वाल केगढवाली लोक नाटकों में  महिला  आभूषण;