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उत्तराखंडी ई-पत्रिका

उत्तराखंडी ई-पत्रिका

Monday, April 14, 2014

गढ़वाली लोक नाटकों में कपट संघात लक्षण

Kapat Samghat Laksana or Multiple Deceits Characteristic Mark in Garhwali Folk Dramas

Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -131 

                                 गढ़वाली   लोक नाटकों में  कपट संघात लक्षण

                     Bhishma Kukreti (लोक साहित्य शोधार्थी)

         When in a drama, two or three stratagems are applied together it is called Kapat Samghat Laksana or Multiple Deceits Characteristic Mark.

                             नाटक में कपट संघात लक्षण की परिभाषा 

दो या तीन छल कपट युक्त बचन बोलकर दूसरे को बस में करने को नाटक मेंकपट संघात लक्षण कहा जाता है। 
                                           गढ़वाली लोक नाटकों में  कपट  संघात लक्षणका उदाहरण 

रामलीला का एक वार्तालाप -

मंथरा कैकयी से -महारानी ! महाराज दशरथ कामी छन कान का कच्चा छन ;कौशल्या प्रेमी छन भुल्लकड़ छन।  आज ही राम वनवास कु वचन मांगो।


(संदर्भगढ़वाली लोक नाटकों के  मुख्य तत्व  विश्लेषण लेख श्रृंखला में भीष्मकुकरेती द्वारा संकलित गढ़वाली  लोक नाटकों के वार्तालापों से , शैलवाणी,कोटद्वार  के 2014 के कई अंकों में )


Copyright@ Bhishma Kukreti 4/4/2014

Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter
                 References
1-Bharat Natyashastra
2-Steve Tillis, 1999, Rethinking Folk Drama
3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life 
4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research
5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India
6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen 
7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12
8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet
9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments
10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach
11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara
12- Bhishma Kukreti, 2007, Garhwali Lok Swangun ma rasa ar Bhav , Chithipatri
 Xx
 Kapat Samghat Laksana or Multiple Deceits Characteristic Mark in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays; Kapat Samghat Laksana or Multiple Deceits Characteristic Mark  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Kapat Samghat Laksana or Multiple Deceits Characteristic Mark in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia; Kapat Samghat Laksana or Multiple Deceits Characteristic Mark  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia;  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Kapat Samghat Laksana or Multiple Deceits Characteristic Mark in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia; Kapat Samghat Laksana or Multiple Deceits Characteristic Mark   in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; Kapat Samghat Laksana or Multiple Deceits Characteristic Mark in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia
गढवाली लोक नाटकों में  ,  टिहरी गढ़वाल के गढवाली लोक नाटकों में  ;उत्तरकाशी गढ़वाल के गढवाली लोक नाटकों में , हरिद्वार गढ़वाल केगढवाली लोक नाटकों में   ;देहरादून गढ़वाल के गढवाली लोक नाटकों में;पौड़ी गढ़वाल के गढवाली लोक नाटकों में ;चमोली गढ़वाल के गढवालीलोक नाटकों में ; रुद्रप्रयाग गढ़वाल के गढवाली लोक नाटकों में  ;