गढ़वाली लोक नृत्य-गीतों , लोक नाटकों में मानवीकरण अलंकार
Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -89
Personification in drama or writing means attributing an inanimate or non living object human traits and qualities such as desires emotions, physical, sensations etc
गढ़वाली लोक नृत्य-गीतों , लोक नाटकों में मानवीकरणअलंकार का उदाहरण
१- सुकली दांतड्यूं को भलो निकसाट बतौँदे
२- हुंगारा लगौन्द भग्यानी नाकै की नाथुली
(संदर्भ: डा शिवा नंद नौटियाल)
Copyright@ Bhishma Kukreti 30 /1/2014
Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter
References
1-Bharat Natyashastra
2-Steve Tillis, 1999, Rethinking Folk Drama
3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life
4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research
5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India
6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen
7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12
8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet
9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments
10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach
11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara
12- Bhishma Kukreti, 2007, Garhwali lok Swangun ma rasa ar Bhav , Chithipatri
Xx
Manvikaran or Personification Figure of Speeches in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays; Manvikaran or Personification Figure of Speeches in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Manvikaran or Personification Figure of Speeches in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia; Manvikaran or Personification Figure of Speeches in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia; Manvikaran or Personification Figure of Speeches in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Manvikaran or Personification Figure of Speeches in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia;Manvikaran or Personification Figure of Speeches in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; Manvikaran or Personification Figure of Speeches in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia;
गढवाली लोक नाटकों में मानवीकरण अलंकार, टिहरी गढ़वाल के गढवालीलोक नाटकों में मानवीकरण अलंकार ;उत्तरकाशी गढ़वाल के गढवालीलोक नाटकों में मानवीकरण अलंकार, हरिद्वार गढ़वाल के गढवाली लोकनाटकों में मानवीकरण अलंकार ;देहरादून गढ़वाल के गढवाली लोकनाटकों में मानवीकरण अलंकार ;पौड़ी गढ़वाल के गढवाली लोक नाटकोंमें मानवीकरण अलंकार ;चमोली गढ़वाल के गढवाली लोक नाटकों में मानवीकरण अलंकार; रुद्रप्रयाग गढ़वाल के गढवाली लोक नाटकोंमें मानवीकरण अलंकार ;
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