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Thursday, January 16, 2014

Hetu Utpreksha Alnkar or Parable by Objective Figure of Speech in Garhwali Folk Drama

 गढ़वाली  लोक नृत्य-गीतों  , लोक नाटकों  में  हेतुप्रेक्षा /हेतु  उत्प्रेक्षा अलंकार  
Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -80 

                                    Bhishma Kukreti (लोक साहित्य शोधार्थी)

 In this figure of speech, the nonobjective is taken as objective.

गढ़वाली  लोक नृत्य-गीतों  , लोक नाटकों  में  हेतुप्रेक्षा /हेतु उत्प्रेक्षा अलंकार   का उदाहरण
हिलांदी नाथुली ,
हुंगरा लगौन्द भग्यानी नाकै  नाथुली
मुल मुल हंसदी छोरी, दै खतणि जनी
 त्वै कन लल्याळो प्यारी , “जनो दूदो को बाळी 
मुखड़ी को हास देखे मणियों  परकास


(Dr. Shiva Nand Nautiyal, Garhwal ke Loknritya- Geet)

Copyright@ Bhishma Kukreti 14 /1/2014

Review of Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter.

                 References
1-Bharat Natyashastra
2-Steve Tillis, 1999, Rethinking Folk Drama
3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life 
4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research
5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India
6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen 
7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12
8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet
9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments
10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach
11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara
12- Bhishma Kukreti, 2007, Garhwali lok Swangun ma rasa ar Bhav , Chithipatri
 Xx
Hetu Utpreksha Alankar or Parable by Objective Figure of Speeches  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays; Hetu Utpreksha Alankar or Parable by Objective Figure of Speeches     in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Hetu Utpreksha Alankar or Parable by Objective Figure of Speeches   in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia; Hetu Utpreksha Alankar or Parable by Objective Figure of Speeches   in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia; Hetu Utpreksha Alankar or Parable by Objective Figure of Speeches   in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Hetu Utpreksha Alankar or Parable by Objective Figure of Speeches  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia;Hetu Utpreksha Alankar or Parable by Objective Figure of Speeches  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; Hetu Utpreksha Alankar or Parable by Objective Figure of Speeches  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia;
गढवाली लोक नाटकों में हेतुप्रेक्षा /हेतु उत्प्रेक्षा अलंकार,  टिहरी गढ़वाल के गढवाली लोक नाटकों में  हेतुप्रेक्षा /हेतु उत्प्रेक्षा  अलंकार;उत्तरकाशी गढ़वाल के गढवाली लोक नाटकों में  हेतुप्रेक्षा /हेतु उत्प्रेक्षा  अलंकारहरिद्वार गढ़वाल के गढवाली लोक नाटकों में हेतुप्रेक्षा /हेतु उत्प्रेक्षा  अलंकार ;देहरादून गढ़वाल के गढवाली लोक नाटकों में  हेतुप्रेक्षा /हेतु उत्प्रेक्षा  अलंकार ;पौड़ी गढ़वाल केगढवाली लोक नाटकों में  हेतुप्रेक्षा /हेतु उत्प्रेक्षा  अलंकार ;चमोली गढ़वाल के गढवाली लोक नाटकों में  हेतुप्रेक्षा /हेतु उत्प्रेक्षा अलंकाररुद्रप्रयाग गढ़वाल के गढवाली लोक नाटकों में  हेतुप्रेक्षा /हेतु उत्प्रेक्षा   अलंकार ;