Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -160
गढ़वाली लोक नाटकों के वाद्य यंत्र
Bhishma Kukreti (लोक साहित्य शोधार्थी)
Dhol or Drum is an important musical instrument used in Garhwali folk dramas. Dhol is used with Damau or Nagada in various religious, marriage, social, social gathering occasions. There is manuscript about the knowledge of Dhol sound called Dhol Sagar. The language of Dhol Sagar is mixed that is main is Braj mixed with a few words of Garhwali.
Dhol was introduced to India in 15th century. Dhol is perhaps west Asian origin. Aine-e Akbari mentions first time about Dhol. That means Dhol was introduced in Garhwal around sixteenth century. Initially Dhol players were called from plains of Garhwal, Bijnor, Haridwar, and Saharanpur. Later on Dhol playing tradition was held by family profession. The Dhol-Damau player is called Auji or Das. Auji is in fact the name of Lord Shiva. Parvati calls Shiva as Auji.
Dhol is double sided drum. The drum is made of copper and sides are made by goat skin. Dhol is played by one side by wooden stick and other side by hand.
Copyright@ Bhishma Kukreti 29/5/2014
Contact ID -bckukreti@gmail.com
Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter
References
1-Bharat Natyashastra
2-Steve Tillis, 1999, Rethinking Folk Drama
3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life
4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research
5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India
6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen
7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12
8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet
9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments
10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach
11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara
12- Bhishma Kukreti, 2007, Garhwali Lok Swangun ma rasa ar Bhav , Chithipatri
13-Manorama Sharma, Tribal Melodies of Himachal Pradesh: Gaddi Folk Music
14- Anoop Chandola, 1977, Folk Drumming in Himalaya: A Linguistic Approach to Music
15- Jugal Kishor Petshali, 2002, Uttaranchal ke Lok Vadya
16- Jason Busniewski, Bagpiping in the Indian Himalaya
17- Ian Woodfield, 2000, Music of the Raj
18-Stefen Fiol, 2008, Constructing Regionalism: Discourses of Spirituality and Cultural Poverty in Music of Uttarakhand, North India
19- Andrew Alter, Mountainous Sound Spaces-Listening to History and Music in the Uttarakhand Himalayas
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Dhol an Important Musical Instrument in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays; Dhol an Important Musical Instrument in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Dhol an Important Musical Instrument in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia; Dhol an Important Musical Instrument in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia; Dhol an Important Musical Instrument in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Dhol an Important Musical Instrument in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia; Dhol an Important Musical Instrument in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; Dhol an Important Musical Instrument in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia
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