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उत्तराखंडी ई-पत्रिका

उत्तराखंडी ई-पत्रिका

Thursday, June 26, 2014

Tal Rahmani, Abhiyan or Campaign Music Beat in Dhol-Damau Playing in Marriage Procession a Folk Drama of Garhwal, Kumaon

Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -175   
Rag Ragini, Tal, Music Beats, Music Notes or Music Scripts in Garhwali Folk Songs and Folk Music part -5

    गढ़वाली गीत संगीत (गढ़वाली लोक नाटकों में तालराग रागिनी-3
                             
                     Bhishma Kukreti (Folk Literature Research Scholar

             The Auji pair (one play Dhol and other Damau) walk along with marriage procession. In between groom village and bride village there are many geographical aspects on the way of marriage procession. On the way, there is plain land; there is steep ascent, medium ascent, descent, hills, valley, river crossing etc.
There are different music beat for each geographical situation. There major four Music Beats of Dhol-Damau while played in marriage procession as per geographical situation.

सेंदार /सीधो बाटू /रास्ता  or Music Beat/Music Rhythm  of Dhol –Damau for  Straight Road/Path –

                          झेगु तक झेगु झेग तक I झेगन झगत I  झे-नन्ह तक II


     उकाळ/चढाई  को बाटू /रास्ता Music Beat/ music Rhythm of Dhol-Raunt for  Ascent Path

                         झेनन  तक   I झे गा झे नन तक II


        उन्धार /उतराई को बाटू /रास्ता /Music Beats /Music Rhythm of Dhol-Damau for descent Road/Path



                         झेगा झे - - I  झे  नन तक II


गाड गदन /नदी तीर or Music Beats/Music Rhythm of Dhol-Damau for  River Bank

                         झेगु झेगु I झग तग II


Sign ___  = अर्धचंद्राकार Concave from beneath

                By hearing the specific tone or rhythm people used to know the exact position of marriage party.
          Auji used to keep their script secret with them and used to convey it through Sruti or oral methodology.

Source- Keshav Anuragi, Nad Nandini (unpublished)

Copyright@ Bhishma Kukreti 20 /6/2014 for interpretation notes  
Contact ID -bckukreti@gmail.com
Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter
                 References
1-Bharat Natyashastra
2-Steve Tillis, 1999, Rethinking Folk Drama
3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life 
4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research
5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India
6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen 
7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12
8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet
9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments
10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach
11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara
12- Bhishma Kukreti, 2007, Garhwali Lok Swangun ma rasa ar Bhav , Chithipatri
13-Manorama Sharma, Tribal Melodies of Himachal Pradesh: Gaddi Folk Music
14- Anoop Chandola, 1977, Folk Drumming in Himalaya: A Linguistic Approach to Music 
15- Jugal Kishor Petshali, 2002, Uttaranchal ke Lok Vadya
16- Jason Busniewski, Bagpiping in the Indian Himalaya
17- Ian Woodfield, 2000, Music of the Raj
18-Stefen Fiol, 2008, Constructing Regionalism: Discourses of Spirituality and Cultural Poverty in Music of Uttarakhand, North India
19- Andrew Alter, Mountainous Sound Spaces-Listening to History and Music in the Uttarakhand Himalayas 
20 Keshav Anuragi
21 Dayashankar Bhatt 
 XX
Rahmani , Abhiyan Tal or Campaign Music Beat  in Dhol-Damau Playing in Marriage Procession a Folk Drama of Garhwal, Kumaon; Rahmani , Abhiyan Tal or Campaign Music Beat  in Dhol-Damau Playing in Marriage Procession a Folk Drama of Dehradun Garhwal; Rahmani , Abhiyan Tal or Campaign Music Beat  in Dhol-Damau Playing in Marriage Procession a Folk Drama of Uttarkashi Garhwal; Rahmani , Abhiyan Tal or Campaign Music Beat  in Dhol-Damau Playing in Marriage Procession a Folk Drama of Tehri Garhwal; Rahmani , Abhiyan Tal or Campaign Music Beat  in Dhol-Damau Playing in Marriage Procession a Folk Drama of Rudraprayag Garhwal; Rahmani , Abhiyan Tal or Campaign Music Beat  in Dhol-Damau Playing in Marriage Procession a Folk Drama of Chamoli Garhwal; Rahmani , Abhiyan Tal or Campaign Music Beat  in Dhol-Damau Playing in Marriage Procession a Folk Drama of Pauri Garhwal; Rahmani , Abhiyan Tal or Campaign Music Beat  in Dhol-Damau Playing in Marriage Procession a Folk Drama of Udham Singh Nagar Kumaon; Rahmani , Abhiyan Tal or Campaign Music Beat  in Dhol-Damau Playing in Marriage Procession a Folk Drama of Kumaon; Rahmani , Abhiyan Tal or Campaign Music Beat  in Dhol-Damau Playing in Marriage Procession a Folk Drama of Nainital Kumaon; Rahmani , Abhiyan Tal or Campaign Music Beat  in Dhol-Damau Playing in Marriage Procession a Folk Drama of Almora Kumaon; Rahmani , Abhiyan Tal or Campaign Music Beat  in Dhol-Damau Playing in Marriage Procession a Folk Drama of Champawat Kumaon; Rahmani , Abhiyan Tal or Campaign Music Beat  in Dhol-Damau Playing in Marriage Procession a Folk Drama of Bageshwar Kumaon; Rahmani , Abhiyan Tal or Campaign Music Beat  in Dhol-Damau Playing in Marriage Procession a Folk Drama of Pithoragarh Kumaon;