Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -170
गढ़वाली लोक नाटकों के वाद्य यंत्र
Bhishma Kukreti (Folk Literature Research Scholar)
Dhol Sagar a philosophical and musical Folk Literature created in Garhwal and Dr Shiva Nand Nautiyal mention Sitar playing as musical instrument played in Garhwali folk dramas. Sitar is not played among common people of Garhwal. Sitar has been being played in Garhwal at special occasions and by local or outside experts.
Sitar is plucked string musical instrument. There are many theories of introduction of Sitar in India. One theory stresses that Amir Khusru invented Sitar in 13th century. A concept states that Sitar is derived from Rudra Vina. Another theory supports that Sitar is derived from Sarswati Vina/Veena.
A theory states that Amir Khusaru of 18th century invented it. However, it is clear that Sitar became more popular in 17th -18th century.
Copyright@ Bhishma Kukreti 12/6/2014
Contact ID -bckukreti@gmail.com
Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter
References
1-Bharat Natyashastra
2-Steve Tillis, 1999, Rethinking Folk Drama
3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life
4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research
5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India
6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen
7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12
8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet
9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments
10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach
11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara
12- Bhishma Kukreti, 2007, Garhwali Lok Swangun ma rasa ar Bhav , Chithipatri
13-Manorama Sharma, Tribal Melodies of Himachal Pradesh: Gaddi Folk Music
14- Anoop Chandola, 1977, Folk Drumming in Himalaya: A Linguistic Approach to Music
15- Jugal Kishor Petshali, 2002, Uttaranchal ke Lok Vadya
16- Jason Busniewski, Bagpiping in the Indian Himalaya
17- Ian Woodfield, 2000, Music of the Raj
18-Stefen Fiol, 2008, Constructing Regionalism: Discourses of Spirituality and Cultural Poverty in Music of Uttarakhand, North India
19- Andrew Alter, Mountainous Sound Spaces-Listening to History and Music in the Uttarakhand Himalayas
XX
Sitar: Plucked String Musical Instrument used in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarakhand ; Sitar: Plucked String Musical Instrument used in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Sitar: Plucked String Musical Instrument used in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia; Sitar: Plucked String Musical Instrument used in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia; Sitar: Plucked String Musical Instrument used in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Sitar: Plucked String Musical Instrument used in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia; Sitar: Plucked String Musical Instrument used in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; Sitar: Plucked String Musical Instrument used in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia
No comments:
Post a Comment
आपका बहुत बहुत धन्यवाद
Thanks for your comments