Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -174
Rag Ragini, Tal, Music Notes or Music Scripts in Garhwali Folk Songs and Folk Music part -4
गढ़वाली गीत संगीत (गढ़वाली लोक नाटकों ) में ताल, राग रागिनी-3
Bhishma Kukreti (Folk Literature Research Scholar)
Music Notation or Sangit Lipi of Chait Prabahti
केशव जी ने कई लोक गीतों की स्वार लिपि भी तैयार कीं हैं और श्री शिवा नन्द नौटियाल जी ने कई लिपियों को अपने ग्रन्थमें स्थान भी दिया है
यथा एक उधाह्र्ण है जिसमे केशव जी ने ढोल सागर के चैती प्रभाती में ढोल दमाऊ युगल बंदी की स्वर लिपि . ढोल में ३९ ताल हैं वदमाऊ में तीन ताल
१ २ ३ ४ ५ ६ ७ I ८ ९ १० ११ १२ १३ १४
झे नन तू झे नन ता - I झे गा तु झे ननु ता --
०
१५ १६ १७ १८ १९ २० २१ I २२ २३ २४ २५ २६ २७ २८
त ग ता झे गु त - I झे गा झे न्ह न ता --
२९ ३० ३१ ३२ ३३ ३४ ३५ ३६ ३७ ३८ ३९ I १ २ ३
ता - क झे ना तु झे गा --- ता -- I झे ननु तु
यह लोक गीत चैत महीने में बजाया जाता है जिसे चैत प्रभाती कहते हैं चैत संगरांद के दिन औजी अपने ठाकुरों के यहाँ घर घर जाकरसुबह इस्ताल पर ढोल दमाऊ बजाते हैं
Copyright Mrs Keshav Anuragi , Dehradun
Copyright@ Bhishma Kukreti 18 /6/2014 for interpretation notes
Contact ID -bckukreti@gmail.com
Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter
References
1-Bharat Natyashastra
2-Steve Tillis, 1999, Rethinking Folk Drama
3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life
4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research
5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India
6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen
7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12
8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet
9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments
10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach
11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara
12- Bhishma Kukreti, 2007, Garhwali Lok Swangun ma rasa ar Bhav , Chithipatri
13-Manorama Sharma, Tribal Melodies of Himachal Pradesh: Gaddi Folk Music
14- Anoop Chandola, 1977, Folk Drumming in Himalaya: A Linguistic Approach to Music
15- Jugal Kishor Petshali, 2002, Uttaranchal ke Lok Vadya
16- Jason Busniewski, Bagpiping in the Indian Himalaya
17- Ian Woodfield, 2000, Music of the Raj
18-Stefen Fiol, 2008, Constructing Regionalism: Discourses of Spirituality and Cultural Poverty in Music of Uttarakhand, North India
19- Andrew Alter, Mountainous Sound Spaces-Listening to History and Music in the Uttarakhand Himalayas
20 Keshav Anuragi
21 Dayashankar Bhatt
XX
39 Tal /Music Notation /Script of Dhol-Damau in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays; 39 Tal /Music Notation /Script of Dhol-Damau in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; 36 Tal /Music Notation /Script of Dhol-Damau in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia; 36 Tal /Music Notation /Script of Dhol-Damau in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia; 36 Tal /Music Notation /Script of Dhol-Damau in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; 36 Tal /Music Notation /Script of Dhol-Damau in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia; 36 Tal /Music Notation /Script of Dhol-Damau in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; 36 Tal /Music Notation /Script of Dhol-Damau in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia
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