Nirukta Laksana or Convincing Explanation Characteristic Mark in Garhwali Folk Dramas

Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -108

                गढ़वाली   लोक नाटकों में   निरुक्त  लक्षण  का उदाहरण

                     Bhishma Kukreti (लोक साहित्य शोधार्थी)

             According to Bharat’s Natyashastra, when words those are spoken to support of the meaning of same faultless statement made before is called Nirukta Laksana or Convincing Explanation Characteristic Mark.

गढ़वाली  लोक नाटकों में  निरुक्त  लक्षण का उदाहरण

 निरुक्त की परिभाषा

निरुक्त याने व्युत्पति।   अन्य शब्दों द्वारा खींचतान कर  शब्दो के अर्थ को सम्बल देने को निरुक्ति कहा जाता है। यथा

वादी  एक आदिम से - ये ठाकुर ! उन त नौनो कुण चरंजीव बुल्दन पण दयाराम जीन  तहसलीदार बणिक अपण बुबा जी ज्योति जी तैं ही चरंजीव बणै दे !

(संदर्भ: गढ़वाली लोक नाटकों का मुख्य तत्व व विश्लेषण लेख श्रृंखला में भीष्म कुकरेती द्वारा संकलित गढ़वाली  लोक नाटकों के वार्तालापों से , शैलवाणी, कोटद्वार  के 2014 के कई अंकों में )

Copyright@ Bhishma Kukreti 7 /3/2014

Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter

                 References

1-Bharat Natyashastra

2-Steve Tillis, 1999, Rethinking Folk Drama

3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life 

4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research

5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India

6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen 

7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12

8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet

9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments

10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach

11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara

12- Bhishma Kukreti, 2007, Garhwali lok Swangun ma rasa ar Bhav , Chithipatri

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Nirukta Laksana or Convincing Explanation Characteristic Mark  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays;  Nirukta Laksana or Convincing Explanation Characteristic Mark  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Nirukta Laksana or Convincing Explanation Characteristic Mark  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia;  Nirukta Laksana or Convincing Explanation Characteristic Mark  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia; Nirukta Laksana or Convincing Explanation Characteristic Mark  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Nirukta Laksana or Convincing Explanation Characteristic Mark  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia;  Nirukta Laksana or Convincing Explanation Characteristic Mark   in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; Nirukta Laksana or Convincing Explanation Characteristic Mark  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia;

गढवाली लोक नाटकों में निरुक्त  लक्षण  ,  टिहरी गढ़वाल के गढवाली लोक नाटकों में निरुक्त  लक्षण  ;उत्तरकाशी गढ़वाल केगढवाली लोक नाटकों में निरुक्त  लक्षण  , हरिद्वार गढ़वाल के गढवाली लोक नाटकों में निरुक्त  लक्षण    ;देहरादून गढ़वाल केगढवाली लोक नाटकों में निरुक्त  लक्षण  ;पौड़ी गढ़वाल के गढवाली लोक नाटकों में निरुक्त  लक्षण  ;चमोली गढ़वाल केगढवाली लोक नाटकों में निरुक्त  लक्षण  ; रुद्रप्रयाग गढ़वाल के गढवाली लोक नाटकों में निरुक्त  लक्षण