गढ़वाली लोक नाटकों में अभिमान लक्षण

Abhiman Laksana or Wounded Self Respect Characteristic Mark in Garhwali Folk Dramas

Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -126 

                                 गढ़वाली   लोक नाटकों में   अभिमान   लक्षण  

                     Bhishma Kukreti (लोक साहित्य शोधार्थी)

               In drama, when one is not pacified even when pacified by many words and act it is called Abhiman Laksana or Wounded Self Respect Characteristic Mark.

                          नाटक में अभिमान लक्षण की परिभाषा 

भिन्न भिन्न लोगों से अनुकूल या प्रतिकूल बातें बताये जाने पर भी अपनी बातन छोड़ने की वृति को अभिमान कहा जाता है

                                           गढ़वाली लोक नाटकों में अभिमान   लक्षण काउदाहरण

संग्रामु (पंचैत क समिण ) -नाक कट जा , पुंगड़ी बिक जा , स्वार भार मि तैं जातीभैर कर द्यावन मीन अपण लईं कज्याण नि छुडण 

(संदर्भ: गढ़वाली लोक नाटकों के  मुख्य तत्व व विश्लेषण लेख श्रृंखला में भीष्मकुकरेती द्वारा संकलित गढ़वाली  लोक नाटकों के वार्तालापों से , शैलवाणी,कोटद्वार  के 2014 के कई अंकों में )

Copyright@ Bhishma Kukreti 26/3/2014

Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter

                 References

1-Bharat Natyashastra

2-Steve Tillis, 1999, Rethinking Folk Drama

3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life 

4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research

5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India

6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen 

7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12

8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet

9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments

10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach

11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara

12- Bhishma Kukreti, 2007, Garhwali Lok Swangun ma rasa ar Bhav , Chithipatri

 Xx

Abhiman Laksana or Wounded Self Respect Characteristic Mark in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays;  Abhiman Laksana or Wounded Self Respect Characteristic Mark in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Abhiman Laksana or Wounded Self Respect Characteristic Mark in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia;   Abhiman Laksana or Wounded Self Respect Characteristic Mark in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia;  Abhiman Laksana or Wounded Self Respect Characteristic Markin Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Abhiman Laksana or Wounded Self Respect Characteristic Mark in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia;   Abhiman Laksana or Wounded Self Respect Characteristic Mark in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia

गढवाली लोक नाटकों में अभिमान लक्षण  ,  टिहरी गढ़वाल के गढवाली लोकनाटकों में  अभिमान लक्षण;उत्तरकाशी गढ़वाल के गढवाली लोक नाटकों मेंअभिमान लक्षण, हरिद्वार गढ़वाल के गढवाली लोक नाटकों में अभिमान लक्षण  ;देहरादून गढ़वाल के गढवाली लोक नाटकों में अभिमान लक्षण;पौड़ी गढ़वाल केगढवाली लोक नाटकों में अभिमान लक्षण ;चमोली गढ़वाल के गढवाली लोकनाटकों में अभिमान लक्षण; रुद्रप्रयाग गढ़वाल के गढवाली लोक नाटकोंमें अभिमान लक्षण ;