गढ़वाली लोक नाटकों में सारुप्य लक्षण

Sarupya Laksana or Identity Characteristic Mark in Garhwali Folk Dramas

Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -114

                गढ़वाली   लोक नाटकों में  सारुप्य  लक्षण  

                     Bhishma Kukreti (लोक साहित्य शोधार्थी)        

 When (suddenly) from seeing or hearing something one is confused by its suspected identity (with another it is an instance of)  is called Identity Character Mark in the drama.

गढ़वाली लोक नाटकों में  सारुप्य  लक्षण का उदाहरण

नाटक में सारूप्य लक्षण की परिभाषा 

 समान लक्षणो से युक्त होने के कारण (या पश्चात ) अनुकरण के कारण आँख से ओझल होने वाली वस्तु की कल्पना को सारूप्य कहते हैं।

रौंपालु - भौँपालु बुलण सै च जरुर तिमला डाळौ छैलन (छाया )  ही मूळा चुराइ होलु । . 

(संदर्भ: गढ़वाली लोक नाटकों का मुख्य तत्व व विश्लेषण लेख श्रृंखला में भीष्म कुकरेती द्वारा संकलित गढ़वाली  लोक नाटकों के वार्तालापों से , शैलवाणी, कोटद्वार  के 2014 के कई अंकों में )

Copyright@ Bhishma Kukreti 12/3/2014

Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter

                 References

1-Bharat Natyashastra

2-Steve Tillis, 1999, Rethinking Folk Drama

3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life 

4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research

5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India

6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen 

7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12

8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet

9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments

10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach

11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara

12- Bhishma Kukreti, 2007, Garhwali Lok Swangun ma rasa ar Bhav , Chithipatri

 Xx

  Sarupya Laksana or Identity Characteristic Mark in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays;   Sarupya Laksana or Identity Characteristic Mark in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia;   Sarupya Laksana or Identity Characteristic Mark in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia;   Sarupya Laksana or Identity Characteristic Mark  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia;   Sarupya Laksana or Identity Characteristic Mark in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia;    Sarupya Laksana or Identity Characteristic Mark in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia;    Sarupya Laksana or Identity Characteristic Mark  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia;   Sarupya Laksana or Identity Characteristic Mark in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia;

गढवाली लोक नाटकों में  सारुप्य  लक्षण   ,  टिहरी गढ़वाल के गढवाली लोक नाटकों में  सारुप्य  लक्षण   ;उत्तरकाशी गढ़वालके गढवाली लोक नाटकों में सारुप्य  लक्षण   , हरिद्वार गढ़वाल के गढवाली लोक नाटकों में  सारुप्य  लक्षण   ;देहरादूनगढ़वाल के गढवाली लोक नाटकों में सारुप्य  लक्षण   ;पौड़ी गढ़वाल के गढवाली लोक नाटकों में सारुप्य  लक्षण   ;चमोलीगढ़वाल के गढवाली लोक नाटकों में सारुप्य  लक्षण   ; रुद्रप्रयाग गढ़वाल के गढवाली लोक नाटकों में  सारुप्य  लक्षण   ;