गढ़वाली लोक नाटकों में अनुनीति लक्षण

Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -123

                                 गढ़वाली   लोक नाटकों में  अनुनीति लक्षण  

                     Bhishma Kukreti (लोक साहित्य शोधार्थी)        

                In a drama, sweet words which are uttered, to please one after pardoning one’s remarkable offence due to anger is called  Anuniti Laksana or Submission Characteristic Mark.

                               नाटक में अनुनीति लक्षण की परिभाषा 

नाटक में विलक्षण क्रोध से हुए अपराध की भरपाई हेतु मधुर से करने कोअनुनीति कहते हैं। 

                     गढ़वाली लोक नाटकों में अनुनीति   लक्षण का उदाहरण

 सन 1967 -1968 करीब जसपुर (मल्ला ढांगू , पौड़ी गढ़वाल ) में हम बच्चों नेलयड़ चारागाह में एक त्वरित नाटक खेला था जो एक सुनी हुयी घटना या लोककथा के आधार पर था।

बड़ो भाई -द्याखो पंचो ! मीन गुस्सा मा अपण भुलाक नाक बुकै दे।  पर बंटवाराकरद मीन वै तैं पूरो हिस्सा दे छौ कि ना ?

(संदर्भ: गढ़वाली लोक नाटकों के  मुख्य तत्व व विश्लेषण लेख श्रृंखला में भीष्मकुकरेती द्वारा संकलित गढ़वाली  लोक नाटकों के वार्तालापों से , शैलवाणी,कोटद्वार  के 2014 के कई अंकों में )

Copyright@ Bhishma Kukreti 23/3/2014

Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter

                 References

1-Bharat Natyashastra

2-Steve Tillis, 1999, Rethinking Folk Drama

3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life 

4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research

5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India

6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen 

7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12

8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet

9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments

10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach

11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara

12- Bhishma Kukreti, 2007, Garhwali Lok Swangun ma rasa ar Bhav , Chithipatri

 Xx

 Anuniti Laksana or Submission Characteristic Mark in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays;  Anuniti Laksana or Submission Characteristic Mark  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia;  Anuniti Laksana or Submission Characteristic Mark in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia;  Anuniti Laksana or Submission Characteristic Mark  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia;  Anuniti Laksana or Submission Characteristic Mark in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia;   Anuniti Laksana or Submission Characteristic Mark in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia;  Anuniti Laksana or Submission Characteristic Mark   in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia;  Anuniti Laksana or Submission Characteristic Mark in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia;

गढवाली लोक नाटकों में अनुनीति लक्षण ,  टिहरी गढ़वाल के गढवाली लोकनाटकों में अनुनीति लक्षण  ;उत्तरकाशी गढ़वाल के गढवाली लोक नाटकों मेंअनुनीति लक्षण , हरिद्वार गढ़वाल के गढवाली लोक नाटकों में  अनुनीति लक्षण;देहरादून गढ़वाल के गढवाली लोक नाटकों में अनुनीति लक्षण ;पौड़ी गढ़वालके गढवाली लोक नाटकों में अनुनीति लक्षण;चमोली गढ़वाल के गढवाली लोकनाटकों में अनुनीति लक्षण; रुद्रप्रयाग गढ़वाल के गढवाली लोक नाटकों में अनुनीति लक्षण;