Garhwali Dramatists/Playwrights -1
Notes on Famous
Directors, Theatre/Drama Activists and Dramatists; Asian Famous Directors, Theatre/
Drama Activists and Dramatists; South Asian Famous Directors, Theatre/ Drama
Activists and Dramatists; SAARC Countries Famous Directors, Theatre/ Drama
Activists and Dramatists; Indian Subcontinents Famous Directors, Theatre/ Drama
Activists and Dramatists; Indian Famous Directors, Theatre/ Drama Activists and
Dramatists; North Indian Famous Directors, Theatre/ Drama Activists and
Dramatists; Himalayan Famous Directors, Theatre/ Drama Activists and
Dramatists; Mid Himalayan Famous Directors, Theatre/ Drama Activists and
Dramatists; Uttarakhandi Famous Directors, Theatre/ Drama Activists and
Dramatists; Kumauni Famous Directors, Theatre/ Drama Activists and Dramatists;
Garhwali Famous Directors, Theatre/ Drama Activists and Dramatists
By: Bhishma
Kukreti
Mitra Nand Kukreti is
one of the Asian Greatest Drama /theatre/stage play Directors who promoted
regional language dramas and theatres. In Asia, especially in India, due to
various hurdles and problems, development of local language theatre/stage
plays/ dramas is most difficult task. Garhwali language dramatization of stage
plays have various inborn problems. The main problems in staging Garhwali
dramas are scattered population, children education is either in Hindi or in
English medium and not in Garhwali, continuous declining in Garhwali language
speakers, individual financial losses in being Garhwali drama/theatre activist,
due to scattered population less audience is available at one place and less
recognition or least recognition to Garhwali drama/theatre activists. In such
difficult situations, Mitra Nand Kukreti involved himself in promoting Garhwali
theatre/dramas leaving English and Hindi languages theatres where more
recognition was available and no financial losses was there. It was the love
for language theatre/dramas attracted Mitra Nand to become Garhwali theatre/drama
activist.
Mitra Nand
Kukreti belongs the village Gheedi, Maniyarsyun, Pauri Garhwal. Kukretis of
Gheedi were migrated from Dyusi, Maniyarsyun to Gheedi. Kukretis of Dyusi came from Barsudi, Langur and
Kukretis of Barsudi were migrated from Jaspur village, Malla Dhangu. Jaspur is
the original village where first time, Kukretis settled in Garhwal migrating
from Southern part or western south
India in thirteen/fourteen century.
Mitra Nand Kukreti was born in November,
1944. He was educated in Lansdowne and Delhi. Mitra Nand Kukreti was in
translation department in parliament.
Mitra Nand Kukreti was involved in
theatre/drama activities from his student life. Mitra Nand Kukreti started his
theatre activities by acting in English and Hindi dramas. For many years, Mitra Nand Kukreti used to
write a column dedicated to theatres and dramas of Delhi for a daily newspaper.
In 1944, Jagar a Garhwali theatre/drama
promoting organization Delhi invited Mitra Nand Kukreti to direct ‘Ardhgrameshwar’ stage play. Mitra Nand Kukreti‘s direction of ‘Ardhgrameshwar’ stage play written by
playwright Rajendra Dhashmana was appreciated by Garhwali audience in various
cities, theatre activists/dramatists and famous critics of Hindi and English
theatres/dramas.
The entry of Mitra Nand Kukreti in Garhwali
theatre/drama world brought new waves in Garhwali theatre/dramas. Mitra Nand
Kukreti is called father of new thinking in Garhwali theatre/dramas.
Mitra Nand Kukreti trained Garhwali
theatre/drama activists for new approaches in bringing contemporariness or
modernism in Garhwali theatre/dramas in various workshops organized by Jagar.
Mitra Nand Kukreti directed ‘Kanshnukram’ written by Kanhaiya Lal
Dandriyal and modified by Rajendra Dhashmana staged in 1989 in Delhi, Mitra
Nand Kukreti directed famous drama ‘’Bhakt
Prahlad’ written by Bhavani Datt Thapliyal in 1989, in Delhi. Bhavani Datt Thapliyal
wrote the first modern Garhwali drama ’Bhakt
Prahlad’ in 1913.
Mitra Nand Kukreti directed
a Garhwali drama ‘Swayambar’ written
by Kanhaiya Lal Dandriyal in 1984 in Dehradun.
Mitra Nand Kukreti directed a Garhwali drama
‘Audal’ in 1989.
Besides his directing Garhwali
theatre/dramas/stage plays, Mitra Nand Kukreti contributed Garhwali
theatre/dramas by culturing new generation theatre/drama activists.
These days, Mitra Nand Kukreti is busy in
translating classic Sanskrit Bhakti Shloka books into English.
Asian theatre drama world will always
remember the remarkable works of Mitra Nand Kukreti for promoting less spoken
language theatres/dramas/stage plays ,training the theatre/drama activists,
guiding young generation of finer points
of theatre/dramas, culturing new generation in Garhwali theatre/dramas and
bringing contemporariness in Garhwali theatre/dramas.
Copyright@ Bhishma
Kukreti, 23/5/2012
Notes on Famous
Directors, Theatre/Drama Activists and Dramatists; Asian Famous Directors, Theatre/
Drama Activists and Dramatists; South Asian Famous Directors, Theatre/ Drama
Activists and Dramatists; SAARC Countries Famous Directors, Theatre/ Drama
Activists and Dramatists; Indian Subcontinents Famous Directors, Theatre/ Drama
Activists and Dramatists; Indian Famous Directors, Theatre/ Drama Activists and
Dramatists; North Indian Famous Directors, Theatre/ Drama Activists and
Dramatists; Himalayan Famous Directors, Theatre/ Drama Activists and
Dramatists; Mid Himalayan Famous Directors, Theatre/ Drama Activists and
Dramatists; Uttarakhandi Famous Directors, Theatre/ Drama Activists and
Dramatists; Kumauni Famous Directors, Theatre/ Drama Activists and Dramatists;
Garhwali Famous Directors, Theatre/ Drama Activists and Dramatists to be
continued
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