Notes on Theatres, Dramas
based on Religious Folk-Rites /Folk Rituals; Asian Theatres, Dramas based on Religious
Folk-Rites /Folk Rituals; South Asian Theatres, Dramas based on Religious Folk-Rites
/Folk Rituals; SAARC Countries Theatres, Dramas based on Religious Folk-Rites /Folk
Rituals; Indian subcontinent Theatres, Dramas based on Religious Folk-Rites /Folk
Rituals; Indian Theatres, Dramas based on Religious Folk-Rites /Folk Rituals;
North Indian Theatres, Dramas based on Religious Folk-Rites /Folk Rituals;
Himalayan Theatres, Dramas based on Religious Folk-Rites /Folk Rituals; Mid
Himalayan Theatres, Dramas based on Religious Folk-Rites /Folk Rituals; Uttarakhandi
Theatres, Dramas based on Religious Folk-Rites /Folk Rituals; Kumauni Theatres,
Dramas based on Religious Folk-Rites /Folk Rituals; Garhwali Theatres, Dramas
based on Religious Folk-Rites /Folk Rituals
Bhishma
Kukreti
Nagraja is one of
the main deities of Garhwal and Kumaun. Nagraja is incarnation of Lord Krishna.
There are many religious folk tales related to lord Krishna in Garhwal and Kumaun.
There are many Jagrs (a lyrical form of telling story in folk religious ritual)
about lord Krishna or Nagraja in Garhwal and Kumaun. The Jagari (who narrates
the lyrical religious folk ritual tales) narrates various folk religious ritual
tales in a religious ceremony ‘Ghadela’. When Jagris narrate religious folk
tale related to lord Krishna and play folk musical instruments –Daunru and Thali
the devotee (those on whose bodies Krishna’s spirit enter) dance with rhythm.
There are hundreds of temples related
to Nagraja or lord Krishna in Garhwal and Kumaun. One of the famous temple of
Nagraja or lord Krishna is Seem-Mukhim in Tihri Garhwal. Every year, lakhs of pilgrims
come to visit as Seem Jatra and pay their offerings to Seem Mukhim from all
corners of Garhwal and other parts of India.
Jagris sing the religious folk tale of Gangu
Ramola related to Seem Mukhim temples. The folk religious tales goes back to
Dwapar era. Gangu Ramola was a prosperous landlord who had hundreds of caws, buffalos,
goats, sheep, horses and fertile farms. Gangu Ramola has a wife Maina and did
not have children. However Gangu Ramola was very proud and never likes to pay
respect to guests or other people. His wife was opposite of Gangu – very mild, religious
and helping nature.When gangu was hundred years old and his wife was eighty
years old, one day at night , lord Krishna came his house in the form of sage.
The sage asked for shelter but Gangu Ramola, even after hard persuasion from Maina
refused to provide shelter to the sage. The sage became angy went from his
house.
In morning Gangu and his wife Maina swa
with shock that their all domestic animals are in the form of stone. Gangu and Maina understood easily that it
happened because of curse by the sage.
Gangu Ramola went to search the sage that he
can beg pardon from the sage. In the way a Brahmin (lord Krishna) met him and
told him that he should build temples in Seem region. Gangu build six temples
there in Seem but every temple became invisible. Gangu and Maina became sad;
there was an akshvani that these temples would be worshipped in the name of
Gupt Seem. The Akashvani informed that the lord should be worshipped by milk
and flowers. Gangu and Maina worshipped at temple as per instruction of Akashvani.
Lord Krishna became visible to Gangu Ramola
and his wife. Gangu became fifteen years old and Maina became twelve years old
young girl. All his animals became visible. Later on they got two sons Sidhwa
and Bidhwa.
The folk belief about Seem temple is a
popular belief of Garhwal.
Dinesh
Gusai and his team wrote a fine drama ‘Gangu
Ramola’ based on the above religious folk tale, folk ritual or folk rites of
Garhwal. Gadh Jagriti Sanskritik evam Samajik Samiti, Kotdwara presented and staged ‘Gangu Ramola’ drama based on above religious folk tale, folk ritual or folk
rites of Garhwal at the function of Uttarakhand Natya Mahotsav organized by Akhil Garhwal Sabha , Dehradun in
2007.Dinesh Gusain directed ‘Gangu Ramola’ based on the popular religious folk tale, folk ritual or folk rites
of Garhwal.
Copyright@ Bhishma
Kukreti, 18/5/2012
Notes on Theatres, Dramas
based on Religious Folk-Rites /Folk Rituals; Asian Theatres, Dramas based on Religious
Folk-Rites /Folk Rituals; South Asian Theatres, Dramas based on Religious Folk-Rites
/Folk Rituals; SAARC Countries Theatres, Dramas based on Religious Folk-Rites /Folk
Rituals; Indian subcontinent Theatres, Dramas based on Religious Folk-Rites /Folk
Rituals; Indian Theatres, Dramas based on Religious Folk-Rites /Folk Rituals;
North Indian Theatres, Dramas based on Religious Folk-Rites /Folk Rituals;
Himalayan Theatres, Dramas based on Religious Folk-Rites /Folk Rituals; Mid
Himalayan Theatres, Dramas based on Religious Folk-Rites /Folk Rituals; Uttarakhandi
Theatres, Dramas based on Religious Folk-Rites /Folk Rituals; Kumauni Theatres,
Dramas based on Religious Folk-Rites /Folk Rituals; Garhwali Theatres, Dramas
based on Religious Folk-Rites /Folk Rituals to be continued….
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