(Review of a Ramayana base Prose-Lyrical Garhwali Drama ‘Kishkindha Kand’ (1981) written by Braj
Mohan Kabtiyal)
Notes on Ramayana base
Lyrical-Prose Dramas; Ramayana base Lyrical-Prose Asian dramas; Ramayana base
Lyrical-Prose South Asian Dramas; Ramayana base Lyrical-Prose SAARC Countries Dramas;
Ramayana base Lyrical-Prose Indian subcontinent Dramas; Ramayana base
Lyrical-Prose Indian Dramas; Ramayana base Lyrical-Prose North Indian Dramas; Ramayana
base Lyrical-Prose Himalayan Dramas; Ramayana base Lyrical-Prose Mid Himalayan Dramas;
Ramayana base Lyrical-Prose Uttarakhandi Dramas; Ramayana base Lyrical-Prose Kumauni
Dramas; Ramayana base Lyrical-Prose Garhwali Dramas
Bhishma Kukreti
Ramayana has been an
evergreen source of creating different types of dramas/plays all over world in
various languages of the world.
A Garhwali and Hindi poet Braj Mohan Kabtiyal
((1931-2008) wrote seven dramas in Garhwali language. ‘Kishkindha Kand’ Ramayana base drama is his first Garhwali dramas.
The Ramayana base Garhwali drama ‘Kishkindha
Kand’ is staged many times in Kotdwara. The story of Ramayana base Garhwali drama ‘Kishkindha Kand’ is about the struggle of Sugreev and his battle with elder brother an
episode of great epic Ramayana.
There are lyrics and
prose dialogues in Ramayana base Garhwali drama ‘Kishkindha Kand’. One example of the effective dialogues in prose
and lyrical form of Ramayana base Garhwali drama ‘Kishkindha Kand’ is as under:
पहलों दृश्य
(ऋष्यमूक पर्वत
पर हनुमान सहित
सुग्रीव राम चन्द्र जी
व लक्ष्मण जी
को सीता कि
खोज मा ऋष्यमूक पर्वत
कि तरफ़ा आणा
. सुग्रीव को उन्तई बाली को दूत
समझी क डरणो
)
सुग्रीव (हनुमान से )
हे हनुमान जी
छौं, मी इन
देखणू ,
जन बाली का
दूत सि औणो
छनौ
साधु वेष च
मुख परै तेज
छ,
धनुरधारी सि द्वी बीर
औणा छन.
कुच्छ ट सोचा
ज़रा अब ना
करा देरी
देखी की मन
मेरो हुयुं च
बहुत मरमणा.
डगमगौणी जनी छ मेरी
जिकुड़ी
लगणु छ काल
मेरा सि औणा
छन
(वार्ता)
हे हनुमान जी
! मी तै द्वी
बाली का सि
दूत लगणा छाना
तुम जै की
पता ट लगावा
कि को छाना.कख और किलै
जाणा छन.
The famous Garhwali literature critic and historian Dr Nand Kishor Dhoundiyal states that dramas of Kabtiyal are folk style based dramas. Dr Dhoundiyal informs that this of Ramayana base Garhwali drama ‘Kishkindha Kand’ attracted the audience and people used to see the Ramayana base Garhwali drama ‘Kishkindha Kand’ with pleasure.
References:
1-Dr Anil
Dabral, Garhwali Gady Parampara (Garhwali Dramas from beginning till 1990)
2-Abodh
Bandhu Bahuguna, Gad Myateki Ganga (Garhwali dramas from beginning till 1975)
3-Dr
Sudharani, Garhwal ka Rangmanch
(Garhwali Dramasfrom beginning till 1985)
4-Drama
special issue of Chitthi Patri magazine (Garhwali Dramas and plays staged in
Delhi, Karachi,Mumbai, Dehradun and other places)
5- Dr Hari
Datt BhattShailesh, Garhwali Natak evam Rangmanch: Ek Vihngam Avlokan (Garhwali
Drams andtheatres from beginning till 1985)
6-Dr Bhakt
Darshan: BarristerMukandi Lal Srmriti Granth (Garhwali dramatists or theatre playwright
till 1985
7-Dr Nand
Kishor Dhoundiyal, Garhwal ki Divangat Vibhutiyan (pp108-116, about
contribution of Bhagwati Prasad Panthri for developing Garhwali drama) and Garhwal
ki Divangat Vibhutiyan part 6, page
117-125
8-
Manuscripts of various dramas (curtsey by Parashar Gaur)
9- Personal
talks with playwrights/dramatists
10- Notes by
D.D. Sundariyal from Chandigarh
11- Various
inputs by Dr. D. R. Purohit from Shrinagar, Garhwal
12- Bhishma
Kukreti, LokNatya Visheshank of Chitthi Patri, Dehradun
Copyright@
Bhishma Kukreti, 26/5/2012
Notes on Ramayana base Lyrical-Prose Dramas; Ramayana base Lyrical-Prose Asian dramas; Ramayana base Lyrical-Prose South Asian Dramas; Ramayana base Lyrical-Prose SAARC Countries Dramas; Ramayana base Lyrical-Prose Indian subcontinent Dramas; Ramayana base Lyrical-Prose Indian Dramas; Ramayana base Lyrical-Prose North Indian Dramas; Ramayana base Lyrical-Prose Himalayan Dramas; Ramayana base Lyrical-Prose Mid Himalayan Dramas; Ramayana base Lyrical-Prose Uttarakhandi Dramas; Ramayana base Lyrical-Prose Kumauni Dramas; Ramayana base Lyrical-Prose Garhwali Dramas to be continued..
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