(Review of Love Folk Tale/Love
Folk Story base Garhwali Drama Dholi ka
Ansu written by D.D.Sundriyal)
Notes on Folk love Tale/ Folk love Story base Dramas; Folk
Love Tale/ Folk Love Story base Asian Dramas; Folk Love Tale/ Folk Love Story base South
Asian Dramas; Folk Love Tale/ Folk Love Story
base SAARC Countries Dramas; Folk Love Tale/
Folk Love Story base Indian subcontinent Dramas; Folk Love Tale/ Folk Love Story base Indian Dramas;
Folk Love Tale/ Folk Love Story base North
Indian Dramas; Folk Love Tale/ Folk Love
Story base Himalayan Dramas; Folk Love Tale/
Folk Love Story base Mid-Himalayan Dramas; Folk Love Tale/ Folk Love Story base
Uttarakhandi Dramas; Folk Love Tale/ Folk
Love Story base Kumauni Dramas; Folk Love
Tale/ Folk Love Story base Garhwali Dramas
लोक प्रेम कथा आधारित आधुनिक नाटक; लोक प्रेम कथा आधारित आधुनिक एशियाई नाटक; लोक प्रेम कथा आधारित आधुनिक दक्षिण एशियाई नाटक; लोक प्रेम कथा आधारित आधुनिक सार्क देशीय नाटक; लोक प्रेम कथा आधारित आधुनिक भारतीय नाटक; लोक प्रेम कथा आधारित आधुनिक उत्तर भारतीय नाटक; लोक प्रेम कथा आधारित आधुनिक हिमालयी नाटक; लोक प्रेम कथा आधारित आधुनिक मध्य हिमालयी नाटक; लोक प्रेम कथा आधारित आधुनिक उत्तराखंडी नाटक; लोक प्रेम कथा आधारित आधुनिक कुमाउनी नाटक; लोक प्रेम कथा आधारित आधुनिक गढ़वाली नाटक लेखमाला
Bhishm a Kukreti
There is no area where the folk love tale does not exist. In China, the
folk love stories of Liang Shanbo and Zhu Yingatai; Meng Jiangqnv; Niulang and
Zhinv are famous folk love tales; the love between prince Suthan and Kinnari Manohra
is famous folk love story of Thailand; Mirza Sahiban, Sohani Mahival, Heer-Rranjha,
Nakshi Kanta is famous tragedy folk love story of Bengal, the folk love story
of Kovalanad and Kannaki of Tamilnadu are
a couple of examples of folk love stories of Indian sub continent.
Mak Thiong
and Guy sen and Mom are famous folk love
stories of Cambodia; love story of prince and princes Kinnara is famous folk
love tale of Malaysia ; love between Chunhayan and Yi is well known folk love
story of Korea; the story of Kato Sayemon is well known folk love story of
Japan; stories of Layla and Majnon represents Arabic folk love tale.
It is a fact that
these folk love stories attract the dramatists for writing dramas for modern audience.
It may be said that in most of languages, dramatists adapted their folk love
tale into modern dramas.
Garhwali dramatists are
not exception in adapting folk love tale into modern drama.
D.d
sundriyal adapted the famous Garhwali folk love story into drama ‘ Dholi ka
Ansu’. As per folk tale of Garhwal, Tiloga
Taidwali and Amardev Sajwan . Tiloga belonged to Taidi village of Banelsyun
patti above Vyaschatti (meeting place of Ganges and Nayar rivers) Pauri Garhwal
and Thokdar Amar dev sajwan was Thokdar of Bharpur village Tihri Garhwal.
Amardev sajwan was bravest among bravest Amaedev Sajwan fell in love of
beautiful Tiloga but in between their villages deep Ganga River was the hurdle
in their meeting .However, no hurdle is hurdle in the true love. Amardev used
to come daily to meet his beloved Tiloga by crossing Ganges in night and he
used to return back before down
One day the villagers of Taidi saw
both in love making scene. All villagers of Taidi became angry and they killed
Amardev by compelling him to run here and there. Tiloga became sad and she cut
her both the mammary glands, threw cut glands into two wells of the village and
died by Sati Dharma
The following song is sung in their love memory in Garhwal
in Ghadela to satisfy the unsatisfied souls of Tiloga and Amardev Sajwan
बांकी तड़याली तिलोगा
बांकी
सेर कि भिडाल्यूं बांकी
सडक तिरवाली बांकी
राति जुनख्याळी सिरवाणी कि
कूल
कु होली घसेर
बांकी
छोटी च मिंडाळी
, ठुल्ली च घसेर
छुणक्याळी चुड़ीयूँ की क्वा
होली घसेर बांकी
तू बेटी छे
कि ब्वारी
तू बेटूलि होली कैकी, मांगणा
कै जौलो
तू ब्वारी होली कैकी , छुड़ेणो कै
जौलो
When this author
published about famous folk love story of Garhwal ‘Tiloga Tadiyali’, D.D.Sundriyal
a Garhwali drama activist wrote letter
to the author as :
Bhisham Bhai,
Thanks for Tiloga Tadiyali feedback. In fact, in Chandigarh
we have many shows of a lyrical drama based on this love story. The title was
"Dholi-ka Aansu" ( written by D.D Sundriyal and directed by Chandi
Bhatt Bharti ) though the name of
main characters and places changed viz
Ganga for Tiloga and Bhagirath for Amar Dev Sajwan, as a few local Banelsyun samiti members tried to stall the show. It was in 1984, perhaps, its first show
was staged at famous Tagore Theatre of Chandigarh. Many shows followed till
Garh Kala Sangam became defunct in 1996. The script, a very good blend of
reality and imagination,( in Garhwali)
is available with me. We thought
to picturise the love story but for finance problems the idea was abandoned. It
is an absorbing tragedy and can make a very successful film.
March edition of Uttarakhand Live takes note of dramatic
ventures of Garh Kala Sangam in Chandigarh and nearby cities. Ironically, all
columnists and feature writers on Garhwali Rangmanch have made mention of such
activities taking place in Dehra Dun, Delhi and Mumbai. For all of them other
cities are non entity. Fact is that last 20-25 years of nineteenth century witnessed
all sorts of Garhwali dramas/dance-drama and other forms of cultural activiteis
in Chandigarh.. Garh Kala Sangam and Garhwal Sabha heading the march.
Dhanyabad
D.D.Sundriyal
Dy Advt Manager (Tribune, Chandigarh)
References:
A-Curtsey to Parashar
gaur for supplying manuscript of Garhwali stage play ‘Paisa na Dhyallaa Nam ch Guman Sing Rautela ‘
1-Dr Anil Dabral,
Garhwali Gady Parampara (Garhwali Dramas from beginning till 1990)
2-Abodh Bandhu
Bahuguna, Gad Myateki Ganga (Garhwali dramas from beginning till 1975)
3-Dr Sudharani,
Garhwal ka Rangmanch (Garhwali
Dramas from beginning till 1985)
4-Drama special issue
of Chitthi Patri magazine (Garhwali Dramas and plays staged in Delhi, Karachi,
Mumbai, Dehradun and other places)
5- Dr Hari Datt Bhatt
Shailesh, Garhwali Natak evam Rangmanch: Ek Vihngam Avlokan (Garhwali Drams and
theatres from beginning till 1985)
6-Dr Bhakt Darshan:
Barrister Mukandi Lal Srmriti Granth (Garhwali dramatists or theatres
playwrights till 1985
7-Dr Nand Kishor
Dhoundiyal, Garhwal ki Divangat Vibhutiyan (pp108-116, about contribution of
Bhagwati Prasad Panthri for developing Garhwali drama)
8- Notes on Dramas of
Uttarakhand by Parashar gaur –MeraPahad site
9-Sovinreers of
Garhwal Sabha Dehradun, 2005 and 2007 for Lok Natya Mahotsava
Copyright@ Bhishma
Kukreti
Notes on Folk love Tale/ Folk love Story base Dramas; Folk
Love Tale/ Folk Love Story base Asian Dramas; Folk Love Tale/ Folk Love Story base South
Asian Dramas; Folk Love Tale/ Folk Love Story
base SAARC Countries Dramas; Folk Love Tale/
Folk Love Story base Indian subcontinent Dramas; Folk Love Tale/ Folk Love Story base Indian Dramas;
Folk Love Tale/ Folk Love Story base North
Indian Dramas; Folk Love Tale/ Folk Love
Story base Himalayan Dramas; Folk Love Tale/
Folk Love Story base Mid-Himalayan Dramas; Folk Love Tale/ Folk Love Story base
Uttarakhandi Dramas; Folk Love Tale/ Folk
Love Story base Kumauni Dramas; Folk Love
Tale/ Folk Love Story base Garhwali Dramas to be continued….
लोक प्रेम कथा आधारित आधुनिक नाटक; लोक प्रेम कथा आधारित आधुनिक एशियाई नाटक; लोक प्रेम कथा आधारित आधुनिक दक्षिण एशियाई नाटक; लोक प्रेम कथा आधारित आधुनिक सार्क देशीय नाटक; लोक प्रेम कथा आधारित आधुनिक भारतीय नाटक; लोक प्रेम कथा आधारित आधुनिक उत्तर भारतीय नाटक; लोक प्रेम कथा आधारित आधुनिक हिमालयी नाटक; लोक प्रेम कथा आधारित आधुनिक मध्य हिमालयी नाटक; लोक प्रेम कथा आधारित आधुनिक उत्तराखंडी नाटक; लोक प्रेम कथा आधारित आधुनिक कुमाउनी नाटक; लोक प्रेम कथा आधारित आधुनिक गढ़वाली नाटक लेखमाला जारी ...
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