गढवाली लोक नाटकों में इर्ष्या या असूया भाव
Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -24
Envy sentiment is generated by jealousy by watching, experiencing other‘s progress, honor, knowledge, wise etc. To show low others or insulting somebody in social gathering is also part of envy .
Envy is natural human emotion.
According to Bharat’s Natyashastra, envy emotion or sentiment should be conveyed by accusation, ignoring virtuous of others, jealousy, looking down, twisting eye brows, avoiding and ignoring others or not accepting other’s glory.
I remember a prose folk drama played by Badis (the professional caste class dedicated to folk dance, song and drama). I would like to name this dram ‘Dwi Kajyanu kajai’ or ‘husband of two wives’.
The dram was played by Badis and showed the jealousy of two wives. When the husband used to go near to his first wife the second wife used to throw the metal utensils. When husband used to go near to his second wife the first wife used to run after him with burning wood. In the second scene the first or older wife said with full acting of jealousy,” You would definitely ignore older wife when you got beautiful younger wife.”
There are Garhwali folklores where envy sentimental acts of various characters are described in length.
Example of Envy Sentiment in Garhwali Folklores
कद्रू और बिनता की लोकगाथा का एक अंश
मूल -डा गोविन्द चातक
कद्रू का नाग ह्वेन, बिनता का गरुड़
कद्रू बनिता द्वी ह्वेली सौत
सूती डाह छै तौमा
कद्रू बोल्दि तब -
हे भूली बिनता तेरो बेटा भानपंखी
रंद सूर्या का लोक मा
सूर्य भगवान को रथ चलौंद
बोल दौं हे भुलि
सूर्य को रथ कै रंग को होलो?
तब बिनता बोलदे
सूर्य को स्वेत रथ होलो
तब नागु की माता कना बैन बोदे -
आज भुलि तेरा मेरा बीच
कौल होई जाला
मै सणि तू भुलि धरम दियाल
सूर्य को सुफेद रथ होलो
तब मै तेरी दासी होई जौलो
अर काळो रथ होलो तब तू
मेरी दासी बणी जाली।
तब कॉल करार करिगे नागु की माता , रौंदड़ा लगौंदी तब छुयेड़ा चारदे
मन मारिक अपणा काल्गिरी नाग .......
मूल -डा गोविन्द चातक
कद्रू का नाग ह्वेन, बिनता का गरुड़
कद्रू बनिता द्वी ह्वेली सौत
सूती डाह छै तौमा
कद्रू बोल्दि तब -
हे भूली बिनता तेरो बेटा भानपंखी
रंद सूर्या का लोक मा
सूर्य भगवान को रथ चलौंद
बोल दौं हे भुलि
सूर्य को रथ कै रंग को होलो?
तब बिनता बोलदे
सूर्य को स्वेत रथ होलो
तब नागु की माता कना बैन बोदे -
आज भुलि तेरा मेरा बीच
कौल होई जाला
मै सणि तू भुलि धरम दियाल
सूर्य को सुफेद रथ होलो
तब मै तेरी दासी होई जौलो
अर काळो रथ होलो तब तू
मेरी दासी बणी जाली।
तब कॉल करार करिगे नागु की माता , रौंदड़ा लगौंदी तब छुयेड़ा चारदे
मन मारिक अपणा काल्गिरी नाग .......
Story of Kadru and Binta Folklore of Garhwal-Kumaon
Kadru and Binta were co-wives or Sautiya sisters. Kadru was mother of Nag (snakes) and Binta was mother of Garud (eagles). They had Sautiya Dah (strong jealousy) between them. Once, Kadru asked Binta the color of Surya’s Rath (Sun’s chariot) as Binta’s son Bhanupankhi was chariot driver of Sun. Binta informed that the color of Sun Chariot is white but Kadru denied and said that the color of Sun Chariot is black. Both ended in betting for the colour of Sun Chariot. The bet was that whoever would lose would become the slave of winner of bet.
Kadru the mother of Nag (snakes) was worried as she was afraid of losing bet because the color of Sun Chariot was white. She called her son Kalgiri Nag and told her the incident of betting between her and Binta. Kadru ordered Kalgiri to make Sun chariot as black. Kalgiri went to Sun galaxy along with his brothers and they all surrounded Sun. By the surrounding of snakes the Sun Chariot seemed as blackish chariot.
Happily Kadru called Binta and showed the black colored Sun Chariot. Binta lost the bet and told that from tomorrow she would be slave of Kadru.
Binta was sad as her step son Bhanupankhi (son of Kadru) informed in past that the color of Sun Chariot was white.
Mishri Garud (eagle) became restless in heaven (with lord Vishnu). He tells his boss lord Vishnu that there is something wrong with her mother and she is in some dire situation. Mishri Garud reached to his mother Binti but his mother did not show love for him. After perusal Binta told that his step brother Bhanpankhi deceived her and covered sun Chariot for showing black color and now she is slave of Kadru. Mishri Garud. Misri Garud took the vow to free his mother from slavery of his step mother Kadru.
Mishri Garud reached to his step brother Kalgiri Nag and said,’” kalgiri! Why did you make my mother slave of your mother by deceit methods?’”
Kalgiri answered, If you bring Amrit kalash from heaven and give it us, we shall free your mother from slavery.”
Mishri Garud brought Amrit Kalash (Nectar Pot) to Kalgiri Nag. Kalgiri Nag became happy and decided to take Amrit after bathing. Kalgiri Nag went for bathing. In the mean time lord Vishnu came and advised to Garud that he should also deceive Kalgiri. As per advice, Mishri Garud took Nectar Pot to heaven and came back to Naglok.
When kalgiri came back after bathing he did not find the Nectar pot and he became angry on Mishri Garud. Kalgiri started attacking garud for battle. There was stif battle between Mishri Garud and snakes. Mishri Garud killed all snakes.
Kalgiri snake hid near Mishridah pond. A fish came near Mishridah pond. Mishri Garud killed that fish and its blood and flesh fell on a sage. The sage cursed Mishri Garud that if his shadow fells on the pond the Garud would die.
Lord Vishnu brough back Kalgiri Nag and told,” Nag and Garud! You all are brothers. You should live together with discipline. Garud should only kill a snake in a month. “
Copyright @ Bhishma Kukreti, bckukreti@gmail.com 26/10/2013
Review of Characteristics of Garhwali Folk Drama, Folk Rituals and Traditional Plays part to be continued…
References
1-Bharat Natyam
2-Steve Tillis, 1999, Rethinking Folk Drama
3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folklife
4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research
5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India
6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen
7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12
8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet
9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments
10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach
11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara
12- Bhishma Kukreti, 2007, Garhwali lok swangun ma rasa ar Bhav , Chithipatri
Xx
Notes on Envy Sentiment in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays; Envy or jealousy Sentiment/emotion/attitude/
गढवाली लोक नाटकों में इर्ष्या या असूया भाव; टिहरी गढ़वाल के गढवाली लोक नाटकों में इर्ष्या या असूया भाव;उत्तरकाशी गढ़वाल के गढवाली लोक नाटकों में इर्ष्या या असूया भाव;हरिद्वार गढ़वाल के गढवाली लोक नाटकों में इर्ष्या या असूया भाव;देहरादून गढ़वाल केगढवाली लोक नाटकों में इर्ष्या या असूया भाव;पौड़ी गढ़वाल के गढवाली लोक नाटकों मेंइर्ष्या या असूया भाव;चमोली गढ़वाल के गढवाली लोक नाटकों में इर्ष्या या असूया भाव;रुद्रप्रयाग गढ़वाल के गढवाली लोक नाटकों में इर्ष्या या असूया भाव
No comments:
Post a Comment
आपका बहुत बहुत धन्यवाद
Thanks for your comments