गढवाली लोक नाटकों में निर्वेद भाव
Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -21
According to Bharat’s Natyshashtra, detachment should be represented by means of remorse, regretful sorrow, deep breathing, deliberation, consideration etc.
Detachment comes due to regret, repent or insult or having a serious problem etc.
In Garhwali villages, Dalya community used to sing the stories of Gopichand and Bhartrihari where detachment sentimental events are there.
This author watched a couple of Swang (folk drama) played by women regarding relationship between mother –in-law and daughter-in-law. Those dramas demonstrated detachment of daughter in law when she was insulted by her mother in law or vice versa.
When Badis used to sing describing feminine there used to be emotion of detachment on those songs.
Copyright @ Bhishma Kukreti, bckukreti@gmail.com 23/10/2013
Review of Characteristics of Garhwali Folk Drama, Folk Rituals and Traditional Plays part to be continued…
References
1-Bharat Natyam
2-Steve Tillis, 1999, Rethinking Folk Drama
3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folklife
4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research
5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India
6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen
7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12
8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet
9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments
10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach
11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara
12- Bhishma Kukreti, 2007, Garhwali lok swangun ma rasa ar Bhav , Chithipatri
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