Critical Review of Modern Garhwali
Short Stories -151
Modern Garhwali
short Story by Dr. Asha Rawat -6,
A critical Review and Analysis of
Garhwali short story ‘Nandola ‘(Shailvani,
1stMarch, 2008) by Dr Asha Rawat
Let Us Celebrate Hundredth Year of
Modern Garhwali Stories!
Review by Bhishma Kukreti
[Notes on
Story depicting affection or deep love for caw or domestic animals; Garhwali
Story depicting affection or deep love for caw or domestic animals;
Uttarakhandi Story depicting affection or deep love for caw or domestic
animals; Mid Himalayan Story depicting affection or deep love for caw or
domestic animals; Himalayan Story depicting affection or deep love for caw or
domestic animals; North Indian Story depicting affection or deep love for caw
or domestic animals; Indian Story depicting affection or deep love for caw or
domestic animals; SAARC Countries Story depicting affection or deep love for
caw or domestic animals; South Asian Story depicting affection or deep love for
caw or domestic animals; Asian Story depicting affection or deep love for caw or
domestic animals; Oriental Story
depicting affection or deep love for caw or domestic animals]
Dr Asha Rawat invariably writes
Garhwali fiction on women subject. Specially, she depicts the inner side of
Garhwali women perfectly in her Garhwali stories. In present Garhwali
story ‘Nandola’, Dr.
Asha Rawat portrays the
deep affection by a rural woman for her caw. Nandola was married to a prosperous
farmer family where there was no sign of poverty. There were ups and downs in
her life as human beings. Nandola
is mother of two sons and two daughters in laws. However, due to daily quarrel
among family members, Nandola’s husband Yaspal divides the family.
Nandola has an old caw Bindwa(white spot on the
forehead) that was given to her one daughters in law while dividing the
family properties. Her daughter in law sells Bindwa immediately. Nandola
had deep affection, love for the caw as the caw was part of Nandola’s
life for many years. Nandola fell ill and do not take meal. Her husband takes a
decision to get back the caw (Bindwa).
The story writer created many
images of rural daily life specially the life of women in rural Garhwal. Dr
Rawat also shows the deep emotional attachment of women for her domestic
animals. The dialects are from Badalpur, Paino, Padalsyun regions. The
dialogues are used to speed up the story and depiction of emotional values. Story writer is successful in
developing characters.
Copyright@ Bhishma Kukreti 7/11/2012
Critical
Review of Modern Garhwali short Stories to be …152
Modern Garhwali short Stories by Dr.
Asha Rawat to be continued…7
Commentary on Story depicting affection or
deep love for caw or domestic animals; Garhwali Story depicting affection or
deep love for caw or domestic animals; Uttarakhandi Story depicting affection
or deep love for caw or domestic animals; Mid Himalayan Story depicting
affection or deep love for caw or domestic animals; Himalayan Story depicting
affection or deep love for caw or domestic animals; North Indian Story depicting
affection or deep love for caw or domestic animals; Indian Story depicting
affection or deep love for caw or domestic animals; SAARC Countries Story
depicting affection or deep love for caw or domestic animals; South Asian Story
depicting affection or deep love for caw or domestic animals; Asian Story
depicting affection or deep love for caw or domestic animals; Oriental Story depicting affection or deep love
for caw or domestic animals to be continued…
Let Us Celebrate Hundredth Year of Modern
Garhwali Stories!
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