Social Theme in World Dramas
Ekikaran:
A Garhwali Drama Criticizing Deceptive
Social Workers
(Review of a Garhwali
Social drama Ekikaran written by Lalit Mohan
Thapliyal)
Bhishm Kukreti
Social Theme in Indian
Dramas
Social Theme in Himalayan
Dramas
Social Theme in Uttarakhandi
Dramas
Social Theme in Garhwali
Dramas
(Notes on Social Theme in World Dramas, Social Theme in Indian
Dramas, Social Theme in Himalayan Dramas,
Social Theme in Uttarakhandi Dramas, Social
Theme in Garhwali Dramas)
There
is no doubt that the Migrated Garhwali social organizations and migrated social
workers have been major role players in improving the economic conditions,
education development, and many other
developmental works in rural Garhwal. In the field of Garhwali literature including
dramas, before seventies, migrated Garhwalis and social organization
contributed more than the inhabitants of Garhwal. However, there had been many social workers
and organizations those were just for the sake of being there. Many people don’t
take any social work or social cause but they impose as if they were great
social workers. There are social workers
who are collecting money for social causes but spend money on their own self
interests. There are social organizations on letter heads only and the
executives impose as if they were great social pain relievers. It is a fact that there are tens of Garhwali
social organizations in a city those do publicity in vernacular periodicals as
if they were working for the society but in reality these social organizations are
of no use to society from any angle.
Great
playwright Lalit Mohan Thapliyal takes such deceptive social workers in his
Garhwali social drama ‘Ekikaran’ (published
in 1964 and staged more than ten cities and towns of Garhwal). The story of ‘Ekikaran’ a Garhwali social
drama is that a very simple Garhwali Deen Dayal comes into the paws of one
hundred fifty three social organizations and becomes victim of cunning,
selfish, publicity loving so called social workers of Delhi. Deen Dayal offers
donation and in turns he gets his hand fractured too.
The
story is very thin. However, the dialogues are interesting and continuity of
dialogue delivery of each character engages the audience. The dialogues create
curiosity among the audience.
This social
drama is proof of imagination power of playwright Thapliyal but the scenes seem
to be very realistic. The viewers identify the characters from their own social
circles. The structure of ‘Ekikaran’
a Garhwali social drama is very accurate which brings speed in the drama. The playwright
has been successful in balancing between relationships, intentions, and
circumstances.
‘Ekikaran’ a Garhwali social drama is
still relevant in twenty first century.
References:
1-Dr Anil Dabral,
Garhwali Gady Parampara (Garhwali Dramas from beginning till 1990)
2-Abodh Bandhu
Bahuguna, Gad Myateki Ganga (Garhwali dramas from beginning till 1975)
3-Dr Sudharani,
Garhwal ka Rangmanch (Garhwali
Dramas from beginning till 1985)
4-Drama special issue
of Chitthi Patri magazine (Garhwali Dramas and plays staged in Delhi, Karachi,
Mumbai, Dehradun and other places)
5- Dr Hari Datt Bhatt
Shailesh, Garhwali Natak evam Rangmanch: Ek Vihngam Avlokan (Garhwali Drams and
theatres from beginning till 1985)
6-Dr Bhakt Darshan:
Barrister Mukandi Lal Srmriti Granth (Garhwali dramatists or theatres
playwrights till 1985
7-Dr Nand Kishor
Dhoundiyal, Garhwal ki Divangat Vibhutiyan (pp108-116, about contribution of
Bhagwati Prasad Panthri for developing Garhwali drama)
Copyright@ Bhishm
Kukreti
Notes on Social Theme in World
Dramas, Social Theme in Indian Dramas,
Social Theme in Himalayan Dramas, Social
Theme in Uttarakhandi Dramas, Social
Theme in Garhwali Dramas to be continued….
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