History of Drama
History of Indian
Dramas
History of
Uttarakhandi Dramas
History of Garhwali
Dramas
Hundred Years of Garhwali dramas
‘Bhari Bhul’: A Social and Philosophical
Garhwali Drama
(Review of a Garhwali Drama ‘Bhari
Bhul’ by Jeet Singh Negi)
Critics
as Abodh Bandhu Bahuguna and Dr. Nand Kishor Dhoundiyal had been partial for
not providing the deserved recognition to Baldev Prasad Sharma (Rami Baurani)
and Jeet Singh Negi (Tu Holi Veera unchi nisi dandyun ma) for developing
Garhwali poetry. These poets have influenced the modern Garhwali psych.
However, critics did not name the era as Baldev Prasad Sharma era or Jeet Singh
era.
Same
way, much was talked about Chatak or Bahuguna for their contribution by many as
if they transformed the modern Garhwali drama. Even Dr Anil Dabral provided more
pages to Bahuguna and Chatak than Negi. Nobody can deny their contribution in
developing intellectualism in Garhwali drama but from staging point of view
Chatak and Bahuguna were not the masters. However, in real sense, after
independence, Jeet Singh Negi is who developed Garhwali stage in cities where
Garhwalis were migrated.
In fact Jeet Singh Negi dominated Garhwali
stage more than thirty years. The period from the Panthari era ends starts Jeet
Singh Negi era. Since, Jeet Singh Negi infused his own songs in the drama and
intellectual critics did not provide Negi his dues except Dr Sudharani provided
full credit to Jeet Singh Negi for his contribution in Garhwali stage play
world. Dr Sudharani provides credit to the overwhelming success of ‘Bhari Bhul’ drama by Jeet Singh Negi for the
entry of Lalit Mohan Thapliyal into Garhwali drama world.
Jeet Singh Negi staged an audience oriented
stage play ‘Bhari Bhul’ around
1955-1956 in Dehradun and published it in 1957. This mile stone drama ‘Bhari
Bhul’ was staged in Mumbai, Delhi and in other many cities. Audience
appreciated this blockbuster lyrical drama.
Blockbuster
lyrical drama ‘Bhari Bhul’
has two acts and eleven scenes.
The lyrical, morality oriented and philosophical
drama is about conflicts between for earning money or doing social activities
through ethical means and earning or taking social activities through unethical
means. Jaggu is the son of a rich
contractor. Instead of taking interest Jaggu takes interest in social causes.
Hari Singh is a social worker and takes the job of building a school in
village. The philosophy of Hari Singh is to collect money through ethical means
for building the school. Jaggu also wants to help the society but wants to collect
money by unethical means. Hari Singh
becomes angry on Jaggu for deceptively, Jaggu wedding an old man with forty
year old man for money sake. Hari Singh
shouts on Jaggu and in retaliation, Jaggu leaves the social work and goes to
city for taking contract jobs.
Jaggu becomes addicted for alcohol drinking, womanizing, gambling and
other harmful habits. Due to these activities, Jaggu loses his father’s
property. His mother dies and father becomes insane due to shock. Hari Singh
calls Jaggu to village where Jaggu sees the worsening condition of his wife in
village and Jaggu realizes the result of his misdeeds.
There are songs and
dacnes in the drama to express the
emotions and they are woven successfully that they become the source of speed
in the drama.
The dialogues in the drama are
in normal conversational ways and are effective in engaging the audience.
Jaggu- dada! Aaj mero
jyu kakhdi kahnau bulnu ch. Ek kakhdi mai diyaali !
Gayalu(hukka chhodik)- n-n-n
khabardar kakhdyun nau na lhe ikh, nithar min twe paili gaali dianan
Or
“ buba ..! par meri
bwarin ky khoye. Min t pap karye , logunk swagvanti bwaryun ka patyun ma sut
byaj leki karjaa deya, ar oo karjaa chukana ban pardesh ma lapata hwe gaini .
mi t oon swagvanti byaryun k sarap ch lagnu . par meri bwari kilai ch mera
kayun ko fal bhugtani .”
Jeet Singh Negi wrote
dialogues for ‘Bhari Bhul’ drama of daily uses as criticizing others,
false appreciation, sadness, enthusiasm, illusion, sating, laughing, contentment
etc.
Jeet Singh Negi has
been successful in developing characterization and each character impresses the
audience.
The
drama ‘Bhari Bhul’ is definitely a
popular class drama and overwhelming response of audience for this drama paved
the way for encouraging dramatists as Lalit Mohan Thapliyal, Hari Datt Bhatt
Shailes, Damodar Prasad Thapliyal to enter into Garhwali drama world. ‘Bhari Bhul’ is the drama which created
the audience for Garhwali drama in cities as Delhi and Mumbai.
‘Bhari Bhul’ by Jeet Singh Negi is a mile
stone in the history of Garhwali drama world.
References:
1-Dr Anil Dabral, Garhwali Gady Parampara (Critical History Garhwali
Dramas from beginning till 1990)
2-Abodh Bandhu Bahuguna, Gad Myateki Ganga (Brief History of
Garhwali dramas from beginning till 1975)
3-Dr Sudharani, Garhwal ka Rangmanch (Brief History of Garhwali
Dramas and Staging of dramas from beginning till 1985)
4-Drama special issue of Chitthi Patri magazine (Garhwali
Dramas and plays staged in Delhi, Karachi, Mumbai, Dehradun and other places)
5- Dr Hari Datt Bhatt Shailesh, Garhwali Natak evam
Rangmanch: Ek Vihngam Avlokan (History of Garhwali Dramas and theatres from
beginning till 1985)
6-Dr Bhakt Darshan: Barrister Mukandi Lal Srmriti Granth
(Garhwali dramatists or theatres playwrights till 1985
7-Dr Nand Kishor Dhoundiyal, Garhwal ki Divangat Vibhutiyan
(pp108-116, about contribution of Bhagwati Prasad Panthri for developing
Garhwali drama)
Copyright@ Bhishm Kukreti
History of Drama,
History of Indian Dramas, History of Uttarakhandi Dramas, History of Garhwali
Dramas, Hundred Years of Garhwali dramas to be
continued…..
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