Udaharan Laksana or Parallelism Characteristic Mark in Garhwali Folk Dramas

Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -103

                गढ़वाली   लोक नाटकों में  उदाहरण  लक्षण

                     Bhishma Kukreti (लोक साहित्य शोधार्थी)

 According to Bharat’ Natyashastra, when words by words expressing similar circumstances a submission is ingeniously made to accomplish an object is called Parallelism Characteristic Mark in a drama.

            गढ़वाली  लोक नाटकों में उदाहरण लक्षण

उदाहरण लक्षण परिभाषा - उद्देश्य को ध्यान में रख कर कई शब्दों  जो एक ही बात को इंगित करें तो यह लक्षण उदाहरण कहलाता है।  जैसे  -

रौमती  (भानुमती से )- अच्छा ! त त्यार कजे ! रत्यां घौर आंद , सुबेर उठिक बगैर नक्वळ (नास्ता ) कर्याँ चली जांद अर दुफरा बान रुटि बि नि लिजांद ? ओ त कुछ ना कुछ बिजोग पड्यूं च हां ! मै लगद वैन हैंक ब्यौ करी …… आल …   धौं !

(मित्रग्राम, मल्ला ढांगू , पौड़ी गढ़वाल में एक बादी लोक नाटक को लेखक द्वारा देखने के आधार पर, समय 1963-64 )

(संदर्भ:  ,: गढ़वाली लोक नाटकों का मुख्य तत्व व विश्लेषण में भीष्म कुकरेती द्वारा संकलित गढ़वाली  लोक नाटकों के वार्तालापों से ,शैलवाणी, कोटद्वार  के 2014 के कई अंकों में )

Copyright@ Bhishma Kukreti 27 /2/2014

Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter

                 References

1-Bharat Natyashastra

2-Steve Tillis, 1999, Rethinking Folk Drama

3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life 

4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research

5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India

6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen 

7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12

8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet

9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments

10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach

11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara

12- Bhishma Kukreti, 2007, Garhwali lok Swangun ma rasa ar Bhav , Chithipatri

 Xx

Udaharan Laksana or Parallelism Characteristic Mark in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays;  Udaharan Laksana or Parallelism Characteristic Mark in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Udaharan Laksana or Parallelism Characteristic Mark in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia;  Udaharan Laksana or Parallelism Characteristic Mark in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia;  Udaharan Laksana or Parallelism Characteristic Mark in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Udaharan Laksana or Parallelism Characteristic Mark in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia; Udaharan Laksana or Parallelism Characteristic Mark   in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia;

गढवाली लोक नाटकों में उदाहरण लक्षण ,  टिहरी गढ़वाल के गढवालीलोक नाटकों में उदाहरण लक्षण ;उत्तरकाशी गढ़वाल के गढवाली लोकनाटकों में उदाहरण लक्षण, हरिद्वार गढ़वाल के गढवाली लोक नाटकोंमें उदाहरण लक्षण  ;देहरादून गढ़वाल के गढवाली लोक नाटकों में उदाहरणलक्षण ;पौड़ी गढ़वाल के गढवाली लोक नाटकों में उदाहरण लक्षण;चमोलीगढ़वाल के गढवाली लोक नाटकों में उदाहरण लक्षण; रुद्रप्रयाग गढ़वाल केगढवाली लोक नाटकों में उदाहरण लक्षण  ;