उत्तराखंडी ई-पत्रिका की गतिविधियाँ ई-मेल पर

Enter your email address:

Delivered by FeedBurner

उत्तराखंडी ई-पत्रिका

उत्तराखंडी ई-पत्रिका

Wednesday, August 29, 2012

तिमलौ डाळ -गढ़वळि बाल कथा

गढ़वळि बाल कथा

                     तिमलौ डाळ
                      भीष्म कुकरेती

एक गांवक पुंगड़ मा एक तिमल क डाळ छौ .

एक ननु नौनु उख जान्दो छौ अर रोज तिमलौ ग्व़ाळ तै दिखदु छौ पण डाळ चौढ़ नि सकदु छौ त गर्म्युं मा भ्युं पड्या तिमलौ दाण टिपदो छौ अर अफकुण अर अपण परिवारो कुण तिमल ड़्यार लै जान्दो छौ. तिमलौ दाण सवादी हूंदा छा.
फिर जडडू अर वसंत मा ग्व़ाळ पराक नना नाना काचा तिमल तोडिक ड़्यार लयांद छौ अर परिवार तिमलौ भुज्जी खांद दै तिमलौ बड़ी बडे करदा छा. इना तिमल बि पुळयांदो छौ कि उ कैक काम आणु च .

अब जब ननु बडू ह्वाई त एक दिन वैन तिमल कुणि ब्वाल," मेरी ब्व़े न मै तै त्यार लाब तुड़णो भ्याज"
तिमलन पूछ," पत्तौं क्या करण तुमन ?"

" ब्व़े बुलणि छे बल तिमलौ लाबान पत्तळ बि बणौला अर कुछ लाबुं तै उसेक लैंदी गौड़ी कुणि पींडु बि बणाण " नौनौ जबाब छौ

तिमल न पुळेक ब्वाल ," अरे मि कैको काम औं त मि तै बडी खुसि हून्द्। तू म्यार ग्व़ाळ बिटेन मीमा चौड़ अर म्यार लाब तोड़ी ल़े . पण हाँ जरा ध्यान से हाँ. म्यार कथगा इ फौंटि कमजोर बि होन्दन , जरा सी जादा गर्रू ह्वाओ त टुटि बि जान्दन हाँ. त ध्यान से चौड़ अर लाब तोड़ "

ननु खुसी खुसी डाळ मा चौड़ अर लाब तोडिक ड़्यार चली गे .

फिर एक दिन नौनु जवान ह्वेक आई अर बुलण बिस्याई ," ड़्यारम आग जळाणो लखड़ इ नी छन . "
तिमल भौत पुळयाई अर बुलण लगि ," ठीक च जा जु बि म्यार सुक्यां फौंटि छन ऊं तै काटी लेदी . जरा ध्यान दे हाँ कि म्यार लखड़ भम्म से जगी जान्दन. त आग जळान्द दै म्यार लखड़ भौत काम आन्दन।"
जवान अब नौनु अध बुढेड़ / प्रौढ़ ह्व़े गे छौ. अर तिमल बि प्रौढ़/अड बुधेड़ ह्व़े गे छौ .

एक दिन वी नौनु अध बुढेड़ /प्रौढ़ ह्वेक आई अर बुलण बिस्याई,' : हमर इख जग्गी च . खूब लखड़ चयाणा छन "
तिमल हौरी बि पुळयाई अर वैन ब्वाल," ठीक च जु बि अब सुक्यां फौंटि बच्यां छन वूं तै काटी दे ."

अद बुधेड़ बड़ा बड़ा फौंटि काटी क चलि गे. तिमल अब नंगमुंड्या ह्व़े गे छौ . फिर बि तिमल खुस छौ कि ओ कैको काम आणो च.

फिर अद बुदेड़ बुड्या ह्व़े ग्याई अर इना तिमल बि बुड्या ह्व़े ग्याई . त बुड्या न तिमलौ ग्व़ाळ काटी अर ड़्यार ली ग्याई . तिमल अप न जिन्दगी से बड़ो खुस छौ कि या जिन्दगी कै ना कैको काम आई.

फिर एक दिन बुड्या आई अर तिमल क ग्वळक से बुलण बिस्याई बल ," अब जवान तिमल कख मीलल ?"
तिमलौ ग्वळकन ब्वाल," हं ! इख मा मि तेरी क्वी मदद नि कौर सकुद. जब म्यार छ्वटा छ्वटा बच्चा बुट्या छया त तीन वूंकी देख भाळ नि कौर , अपण गोरुं से ऊँ तै नि बचाई अर ओ सौब मोरी गेन या उगटि गेन '
बुड्या उदास ह्व़े ग्याई बल अब वैकी नई साखि, नई जनरेसन बगैर डाळौ क्या कारलि.

तिमलौ ग्वळक भौत इ उदास ह्व़े ग्याई कि अब मनिख बगैर डाळ क क्या कारल ? तिमल क ग्वळक सुचणु छौ कि कास मनिख समौ पर डाळु रख रखाव क बारा मा चित्वळ ह्व़े जाओ त इं दुनिया मा डाळु कबि बि कमि नि ह्वेली.

Copyright@ Bhishma Kukreti 30/8/2012 

Tuesday, August 28, 2012

म्यारू त गिच्चू थम्यूं च

मि 
ब्वलूँ त 
क्य ब्वलूँ 
न त सयेंदु 
न बिन ब्वल्याँ 
रयेंदु
यख त 
गैरा मा  
कतगे बकल़ू
मैल जम्यूं च 
ये 
कीच-कादो मा 
कतगौं कु मन
रम्यूं च  
जु ब्वलणु च
ऊ नि ब्वलेंदु
बोलूँ त 
कनकै बोलूँ
म्यारू त 
गिच्चू थम्यूं च.

      डॉ नरेन्द्र गौनियाल.सर्वाधिकार सुरक्षित ..narendragauniyal@gmail.com

Kurchenda Sapna: An agile, bold and entertaining Story


(Critical History of Modern Garhwali Stories)
                 Let Us Celebrate Hundredth Year of Modern Garhwali Fiction!
                                 Bhishma Kukreti
[Notes on agile, bold and entertaining Stories; agile, bold and entertaining Garhwali Stories; agile, bold and entertaining Uttarakhandi Stories; agile, bold and entertaining Mid Himalayan Stories; agile, bold and entertaining Himalayan Stories; agile, bold and entertaining North Indian Stories; agile, bold and entertaining Indian Stories; agile, bold and entertaining South Asian Stories; agile, bold and entertaining Asian Stories]
            Girish Sundariyal is famous modern Garhwali lyricist. Sundariyal also wrote dramas in Garhwali. His Garhwali story Kurchenda Sapna (Chitthi, 21stissue) is one the fine examples of world modern fiction literature. Vimla is newly married young female. Her husband has migrated city for earning. The news come that her husband is returning to home. She dreams a lot. However, when her husband come into room Vimla gets shock for her life. Will she stop here to see her dreams are not fulfilled?
   Sundariyal used words for entertaining and for describing the enthusiasm of a young women becoming happy to know that her husband coming home. The story is bold, agile and entertaining.
Reference-
1-Abodh Bandhu Bahuguna, Gad Myateki Ganga (Part- Review of Garhwali tales, Fiction and mini short Story)
2-Dr Anil Dabral, 2007 Garhwali Gady Parampara (Part- Review of Garhwali tales, Fiction and mini short Story)
3-Bhagwati Prasad Nautiyal, articles on Durga Prasad Ghildiyal l in Chitthi Patri (Part- Review of Garhwali tales, Fiction and short Story)
4-Dr. Nand Kishor Dhoundiyal, Garhwal Ki Divangat Vibhutiyan (Part- Review of Garhwali tales, Fiction and i short Story)
5-Notes of Prem Lal Bhatt on the Stories of Durga Prasad Ghildiyal (Part- Review of Garhwali tales, Fiction and short Story and mini short Story writers)
6- Gaytri Bwe, 1985 Gadh Bharati Sanstha, Delhi, (Garhwali tales, Fiction and short Story Collection)
7- Bhishma Kukreti, 2012 Garhwali Katha Sansar, Sankalp, Delhi (Historical review of Garhwali tales, Fiction and mini short Story Writers)
8- Bhishma Kukreti, 2012 Kathaon ki Katha, Worldwide tales, Fiction and mini short Story writers review Series in Shailvani weekly, Kotdwara,  Garhwal.
9- Stories of ‘Katha Kumud’, Garhwali Prakashan, janankpuri, Delhi (for tales, Fiction and mini short stories in Garhwali)
10- Fiction, tales, and Mini short stories by Chinmay Sayar in Shailvani, Hilans Kotdwara
11- Fiction, tales, and Mini short stories by Puran Pant Pathik
12- Tales, Fiction and Mini short Stories by Bhishma Kukreti in internet medium
13- Tales, Fiction and Minis and Short stories by Dr. Narendra Gauniyal on Internet medium

Copyright@ Bhishma Kukreti, 29/8/2012
Notes on agile, bold and entertaining Stories; agile, bold and entertaining Garhwali Stories; agile, bold and entertaining Uttarakhandi Stories; agile, bold and entertaining Mid Himalayan Stories; agile, bold and entertaining Himalayan Stories; agile, bold and entertaining North Indian Stories; agile, bold and entertaining Indian Stories; agile, bold and entertaining South Asian Stories; agile, bold and entertaining Asian Stories
Let Us Celebrate Hundredth Year of Modern Garhwali Fiction!

Review of Ridiculing power in Garhwali Satire – 20


 (Analysis of ridiculing power of Garhwali Satire created by Bhishma Kukreti-16)

                           Review by:  Bhishma Kukreti
[Notes on ridiculing power of satire; ridiculing power of Garhwali satire; ridiculing power of Uttarakhandi language satire; ridiculing power of Mid Himalayan language satire; ridiculing power of Himalayan language satire; ridiculing power of North Indian language satire; ridiculing power of Indian regional language satire; ridiculing power of South Asian regional language satire; ridiculing power of Asian regional language satire]

  Megan LeBoeuf (The Power of ridicule: An Analysis of Satire, 2007) states that satire has power to point the deficiencies in human behaviors; satire has power to ridicule the social issues hilariously and the power of ridiculing by satire entertain the readers or viewers too. Megan LeBoeuf further states that today satire is very powerful artistic form used to criticize specific human character.
                              Bhishma Kukreti published hundred of satirical essays in Garhwali ridiculing various deficiencies in various areas. The satire of Bhishma Kukreti ridicules insufficiency sharply.
 Dyaradun ka dai (Garh Aina, 14/5/1989) - There are various names for bullies and anti social human beings in each society. In Dehradun around 1974, the Gunda, or notorious guys were called Dai. Kukreti powerfully ridicule the culture of Dai who tease the girls in their own locality but are coward before strong opposition. The Dai are powerful in their own locality. Dai are males but the writer misunderstood them as nurses
अरे वु दुबस्ता जनान्युं तै शरम बि हरची जु जवान नौनु से पुटुक मलासंदन , नाळु कटवांदन …..
उ त पैथर जाण बल जन कि हरेक मुहल्ला म म्युनिसपैलिटि क द्वी चार नळ होन्दन वनि हरेकमुहल्ला मा आठ दस दाई (दादा , लम्पट ) होण जरूरी च
Shri Jug Garh Aina, 30/8/1989)- Kukreti ridicule the human behavior that copy the popular culture or behavior of popular human being. The Mahabharata and Ramayana influenced Indians so much that they started adding Shri instead of Ji. Kukreti shows that ji is nothing but Shri as Arabians could not pronounce Shri and they changed Shri as Ji.
The above satires powerfully ridicule the social behavior.   

References-
1-Abodh Bandhu Bahuguna, Garhwali Sahity ma Hasy Vyngy, Kaunli Kiran, Jankapuri, Delhi (Pl. refer part of Ridiculing power of Garhwali Literature)
2-Dr Anil Dabral, 2007, Garhwali Gady Parampara (Pl. refer part of Ridiculing power of Satire in Garhwali Literature)
3- Dhad, Garh Aina, Paraj publications. (Pl read to know about Ridiculing power of Garhwali Satire)
4- Merpahad .com and e-Uttarakhand Patrika (Pl read to know about ridiculing power of Garhwali Satire)
5- Ghati ke Garjate Swar , Dehradun (Pl read to know about Ridiculing power of Garhwali Satire)

Copyright@ Bhishma Kukreti 28/8/2012

Notes on ridiculing power of satire; ridiculing power of Garhwali satire; ridiculing power of Uttarakhandi language satire; ridiculing power of Mid Himalayan language satire; ridiculing power of Himalayan language satire; ridiculing power of North Indian language satire; ridiculing power of Indian regional language satire; ridiculing power of South Asian regional language satire; ridiculing power of Asian regional language satire to be continued…

अखबारों संपादक किलै सेल्समैन बौण ?


गढ़वाली हास्य व्यंग्य साहित्य 
 
                     अखबारों संपादक किलै सेल्समैन बौण ?
                               चबोड्या - भीष्म कुकरेती
 
राजेन्द्र- आ आ भै आज दस बाद मिलणा छंवां त जरा कुछ दारु सारु ह्व़े जाओ
गजेन्द्र- अरे पण इथगा बड़ो होटल मा ?
राजेन्द्र - हाँ त क्या ह्वाई ? बिल जथगा बि आलो मि द्योलू
गजेन्द्र - अच्काल कख छे तू ?
राजेन्द्र- मि अच्काल एक अंतरास्ट्रीय कम्पनी मा सेल्स डाइरेक्टर छौं
गजेन्द्र- वधाई हो. पण तू त मास्टर बणणो बान कोशिश करणु छयाई
राजेन्द्र- हाँ कोशिश त कार च पण जब मास्टरगिरी नि मीलि त सेल्स लाइन मा चलि ग्यों
गजेन्द्र - बढिया
राजेन्द्र - अरे त्यार इन चिर्याँ फुर्याँ झुल्ला किलै पैर्यां छन ?
गजेन्द्र- अरे यू स्टाइल च मि एक कलाविग्य जि छौं
राजेन्द्र - अच्छा तू क्या करणि छे ?
गजेन्द्र- मि एक पत्रिका क सम्पादक अर प्रकाशक छौं
राजेन्द्र- कें भाषा मा च . तेरी अंग्रेजी भौत बढिया छे त अंग्रेजी पत्रिका?
गजेन्द्र- ना मि पर तैबारी गढवाली भाषा प्रेम कु दिवता आयुं छौ त मीन गढवाली अखबार प्रकाशन शुरू कार
राजेन्द्र- यार तू भौति सीदु छौ. बिजिनेस उजिनेस सीख च कि ना ?
गजेन्द्र - अरे मि आज भौत बड़ो सेल्समैन छौं.
राजेन्द्र- अच्छा ?
गजेन्द्र - हाँ मि तै भौत सि चीज बिचणो अनुभव च
राज्नेद्र - पण तू त गढ़वाली अखबारों प्रकाशक छे त ...?
गजेन्द्र - तबि त
राजेन्द्र- क्या क्या ब्याच तीन ?
गजेन्द्र - अखबार चलाणो बान , घौर क टी.वी, पलंग, फर्नीचर, भांड कूंड, इख तलक कि ये साल मीन अपण बुबा जीक लगायुं कूड़ बि बेचीं आल

Copyright@ Bhishma Kukreti 28/8/2012
गढ़वाली हास्य व्यंग्य साहित्य जारी ...

Problems of Local/Regional Newspapers and Magazines as Hilans


(Contribution of ‘Hilans’ a regional Magazine for promoting Kumauni and Garhwali literature-3)
Let us remember contribution of Arjun Singh Gusain for  promoting Kumauni and Garhwali Literature!

                                         Bhishma Kukreti
[Notes on problem of Local/Regional Newspapers and Magazines; problem of Local/Regional Garhwali Newspapers and Magazines; problem of Local/Regional Kumauni Newspapers and Magazines; problem of Uttarakhandi Local/Regional Newspapers and Magazines; problem of Mid Himalayan Local/Regional Newspapers and Magazines; problem of Himalayan Local/Regional Newspapers and Magazines; problem of North Indian Local/Regional Newspapers and Magazines; problem of Indian Local/Regional Newspapers and Magazines; problem of South Asian Local/Regional Newspapers and Magazines; problem of Asian  Local/Regional Newspapers and Magazines]
   Nobody has doubt that community or local newspapers and magazines are important for regional communities. However, local or regional newspapers and magazines as Hilans face various problems.
                   The biggest problem for local or regional newspaper or magazines as Hilans has the problem of scattered audience or readers. The problem is that the readers of such newspapers and magazines are not in clusters in an area and in cities but the readers are scattered. This problem of scattered readers creates the problem of distribution or marketing for local /regional newspapers or magazines. Since, distribution is great problem for local or regional newspapers and magazines the financial problem becomes eminent for local periodicals.  Due to scattered readers, the local or regional newspapers and magazines did not get required readers. Due to not getting required readers by local or regional newspapers and magazines, the local or regional newspapers and magazines don’t get advertisement. Due to not getting regular advertisement by local or regional newspapers and magazines, they face financial problems. The financial problem is the main reasons for early closure of local or regional newspapers and magazines.
  Hilans also faced the problems of financial l hurdles but its editor late Arjun Singh Gusain was a strong personality to publish the magazine for more than fifteen years.
                                        Hilans June 1979 Issue
Barrister Mukandi lal ki chitthi – the Garhwali art critic and great politician barrister Mukandi lal posted a letter in Garhwali about Garhwali literature creative jay Lal Verma who created Garhwali Hindi dictionary and was published in Garh Gaurav , Kotdwara . Barrister Mukandi Lal also mentioned about work of Rama Prasad Pahadi
Swadesh Sukt a Garhwali poem – there is remarkable Garhwali poem ‘ Swadesh Sukt’ by great Garhwali poet Bhajan Singh ‘Singh’.
                             Hilans August   1979 Issue
There are articles related to Garhwali literature in August issue as
Veer Premi –Jeetu bagdwal – There are Garhwali folk poems describing the life of Jeetu bagdwal
Vidywati Dobhal sketches the life and his contribution in developing modern Garhwali literature work by Bhagwan Singh Akela in Shri Bahgwan Singh Rawat akela’ article .
Dr Hari Datt Bhatt Shailesh briefed about the history and development of Garhwali dramas and stage plays in ‘Garhwali Natak-ek Rangytra’ article.

Copyright@ Bhishma Kukreti 28/8/2012

Notes on problem of Local/Regional Newspapers and Magazines; problem of Local/Regional Garhwali Newspapers and Magazines; problem of Local/Regional Kumauni Newspapers and Magazines; problem of Uttarakhandi Local/Regional Newspapers and Magazines; problem of Mid Himalayan Local/Regional Newspapers and Magazines; problem of Himalayan Local/Regional Newspapers and Magazines; problem of North Indian Local/Regional Newspapers and Magazines; problem of Indian Local/Regional Newspapers and Magazines; problem of South Asian Local/Regional Newspapers and Magazines; problem of Asian  Local/Regional Newspapers and Magazines to be continued ..

Let us remember contribution of Arjun Singh Gusain for  promoting Kumauni and Garhwali Literature!

कलजुगी कंस को नाश

डॉ नरेन्द्र गौनियाल  

भोगीसिंह जनि-जनि पैसा-पत्ता वल़ो ह्वै ,उनि वैन अंट-शंट काम करणा शुरू कैरि दीं.धन-सम्पति बढ़दी गे अर दिमाग बि आसमान मा चढ़दू गे.खुद बि छक्वे दारू पीणि अर अपणा रागस गणों तै बि पिलाणी..दारू पिलैकी अपणा सब काम करवै दींदु छौ.इलाका मा सबि भला-बुरा काम अपणा जिम्मा.जख बिटि बि हो,जनि कै बि हो पण रुप्या ऐ जएँ..सबि जोगी मरीं अर मेरो पतड़ो भरीं,इनी मिशाल करि दे..पटवारी-कानूनगो तै दारू पिलाणि,घूस देणी अर लोगोँ की सम्पति हथ्याणि..बस यी काम ह्वैगे छौ वैको.लोगोँ तै छक्वे दारू पिलैकी झूठी गवै दिलाणि अर सीधा-सदा लोगोँ तै परेशान करणू.

         जमीन -जैदाद अर रूप्या-पैसा कु अति लालच मन्खी तै रागस बणे दींद.अच्छो-भलो आदिम तै बि पापी अर महा पापी बणे दींद.भोगीसिंह बि इनु समझंदु छौ की सरि दुन्य की सम्पति मेरि च.अर जु नि छा ऊ कै बि ढंग से ह्वै जा..रागसी समाज मा क्य नि ह्वै सकदु.? भोगीसिंहन बि क्वी कसर नि छोडि.हद त तब ह्वैगे जब वैन अपणी कक्या भैणी अर वींकु नौनु तै बि नि छोडि.उंकी जमीन-जैदाद तै अपणी बतैकी हड़पी दे.दारू पिलैकी झूठी गवै दिलै अर पटवारी-कानूनगो तै घूस देकी,दारू पिलैकी अपणो काम पक्कू करि दे..अपणी भैणि अर भणजा की जैदाद हडपी की वैन बड़ो नाम समझी.ऊंतई ऊ आंख्युं कु खैड़ जनु देख्दु छौ..गौं-गल्य़ा,पास-पड़ोस वल़ा दारू की घूँट मा बिकणा का कारण क्वी कुछ नि बोल्दा छा,बल्कि वैकि हाँ मा हाँ मिलान्दा छा.दारू बाज द्वी-चार लुंड-गुंड वैका दगड दिन रात ही रैंदा छाया.

          द्वापर मा कंस जनो पापी कु नाश त कृष्ण का रूप मा विष्णु भगवान जि कु अवतार से  ह्वैगे..ये कळजुग मा क्वी अवतार त नि ह्वै.पण ह्वै सकद विष्णु भगवानजि मथि बिटि ही सबकुछ देखदा होला.भोगी सिंह तै कुछ साल बाद ही कैंसर ह्वैगे..वैको दगड़ो करण वल़ा बि क्वी त मरि गीं,क्वी बिमार ह्वैगीं,क्वी दिन-रात दारू पेकि हर्बी गदन जुगा हूणा छन.भोगी सिंह बि अपणी मौत की इंतजारी करणू.कज्याणि वैकि कोढ्या ह्वैगे.कुकर्मों मा साथ दीण वल़ा लड़िक-ब्वारी की निंद हर्चि गे.कुछ दिनों बिटि ऊ पगले गीं.भोगी सिंह कु पापों कु भर्युं घड़ो अफ्वी फुटण लगी गे.

          डॉ नरेन्द्र गौनियाल ..सर्वाधिकार सुरक्षित  .narendragauniyal@gmail.com