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Monday, June 2, 2014

Types /Classification of Traditional Folk Games/Sports from Garhwal, Kumaon and Haridwar

Notes on Traditional Folk Games/Sports from Garhwal, Kumaon and Haridwar (Uttarakhand Folk Games) Part -2

                          Narration: Bhishma Kukreti (Folk Literature Research Scholar)

 There are many ways of classifying folk games from Garhwal, Kumaon and Haridwar as Dr. Hossam Muhsib classified Egyptian Folk Games as under-
Folk Games for special Occasions
Competitive Traditional Games
Guessing Folk Games and games where drawing is involved
Hunting Folk Games
Board or Paper based Folk Games
Gambling Folk Games
Physical Skill Folk Games
Water Folk Games
Cradle Folk Games
Imitation games
Singing Games
 The scholars can classify Traditional Folk Games/Sports from Garhwal, Kumaon and Haridwar as under –
Women Folk Games
Men Folk Games
Children folk games
Women and Men Folk Games
Children and Older men –women Game  




   However, the following classification of Traditional/Folk Games of Garhwal, Kumaon and Haridwar is more appropriate -
Indoor Folk Games from Garhwal, Kumaon and Haridwar (Uttarakhand)
Outdoor Folk Games from Garhwal, Kumaon and Haridwar (Uttarakhand)
Marriage or Specific Event Folk Games from Garhwal, Kumaon and Haridwar (Uttarakhand)
Board Folk Games from Garhwal, Kumaon and Haridwar (Uttarakhand)
Property Folk Games from Garhwal, Kumaon and Haridwar (Uttarakhand)




Copyright@ Bhishma Kukreti 1/6/2014

      References on Garhwali –Kumaoni Folk Games/Sports (Uttarakhand Folk Games)
Notes on Types /Classification of Traditional Folk Games/Sports from Garhwal, Kumaon and Haridwar; Types /Classification of Traditional Folk Games/Sports from Garhwal, Kumaon and Haridwar, Uttarakhand; Types /Classification of Traditional Folk Games/Sports from Garhwal, Kumaon and Haridwar, Himalaya; Types /Classification of Traditional Folk Games/Sports from Garhwal, Kumaon and Haridwar, North India; Types /Classification of Traditional Folk Games/Sports from Garhwal, Kumaon and Haridwar, South Asia;

Thanking You . 
Jaspur Ka Bhishma Kukreti

ट्रैवल एजेंसी हेतु विपणन रणनीति

Marketing Strategies for a Travel Agency 

                                                       ट्रैवल एजेंसी व्यापार का सुचारु रूप सेसंपादन  - भाग -16    

                                Business Management of Travel Agency  in context Uttarakhand Tourism and Hospitality Development Part -16  

(Tourism and Hospitality Marketing Management for Garhwal, Kumaon and Hardwar series--74    )  
                                                      
उत्तराखंड में पर्यटन व आतिथ्यविपणन प्रबंधन -भाग 74     
  
                                                              लेखक : भीष्म कुकरेती  (विपणन व विक्रीप्रबंधन विशेषज्ञ )   


ट्रैवल एजेंसी छोटी हो या बड़ी सभी को अपने व्यापार सुचारु रूप से चलाने या बढ़ाने मार्केटिंग /विपणन रणनीति बनानी होती है। 
विपणन का असली अर्थ होता है कम्युनिकेसन याने संचार /सूचना। 
अतः ट्रैवल एजेंसी को सुनिश्चित करना होता है अपने व्यापार की सूचना सही ग्राहकों को कम से कम मूल्य में कैसे पंहुचाया जाय । कम्युनिकेसन स्ट्रेटिजी ही मार्केटिंग है। 
ट्रैवल एजेंसी को पारम्परिक सूचना माध्यमों को तो अपनाना ही चाहिए साथ में नए नए सूचना माध्यमों को भी अंगीकार करना पड़ता है। 
छोटे आकार ककी  ट्रैवल एजेंसी को सबसे अधिक ध्यान जनसंपर्कीय माध्यम पर देना चाहिए. जनसम्पर्क सूचना विज्ञापनों से अधिक प्रभावी होती हैं। 
सभी सूचना माध्यमों का एकीकृत रूप में प्रयोग आावश्यक है। 
मार्केटिंग योजना में भिन्नता याने अभिनव गुण  पहचान कर उस अन्यन या अपवर्जक पहचान (Exclusive Identity ) को सभी तरह से सभी जगह सूचित करने की विधि का रूपांकन करना विपणन रणनीति  प्रथम सीढ़ी है
फिर संभावित ग्राहकों व असोसिएटों के मन में एक विशेष छवि /धारणा (Positioning ) को स्थापित करना द्वितीय सीढ़ी है। 
प्राइस पॉलिसी को पोजिसनिंग के साथ जोड़ना आवश्यक है। 
अपने उप ट्रैवल एजेंट्स बनाना वितरण की रणनीति कहलाती है। 
निम्न प्रोमोसन के माध्यमो के बारे में रणनीति बनानी आवश्यक है -
विज्ञापन व विज्ञापन माध्यम 
व्यक्तिगत रूप से सीधी विक्री की रणनीति 
डाइरेक्ट मार्केटिंग की रणनीति 
इंटरनेट मार्केटिंग रणनीति  
मोबाईल मार्केटिंग रणनीति 
विभिन्न प्रदर्शनियों या अन्य इवेंट्स में शामिल होने की रणनीति 




Copyright @ Bhishma Kukreti  1/6/2014  

Contact ID bckukreti@gmail.com
Tourism and Hospitality Marketing Management for Garhwal, Kumaon and Hardwar series to be continued ...

उत्तराखंड में पर्यटन व आतिथ्य विपणन प्रबंधन श्रृंखला जारी …

                                   
 References

1 -
भीष्म कुकरेती, 2006  -2007  , उत्तरांचल में  पर्यटन विपणन परिकल्पना , शैलवाणी (150  अंकों में) , कोटद्वार , गढ़वाल
xx 


Marketing Strategies for a Travel Agency in context Travel, Tourism and Hospitality Industry Development Concepts in Uttarakhand; Marketing Strategies for a Travel Agency in context Travel, Tourism and Hospitality Industry Development Concepts in Haridwar Garhwal, Uttarakhand; Marketing Strategies for a Travel Agency in context Travel, Tourism and Hospitality Industry Development Concepts in Pauri Garhwal, Uttarakhand; Marketing Strategies for a Travel Agency in context Travel, Tourism and Hospitality Industry Development Concepts in Dehradun Garhwal, Uttarakhand; Marketing Strategies for a Travel Agency in context Travel, Tourism and Hospitality Industry Development Concepts in Uttarkashi Garhwal, Uttarakhand; Marketing Strategies for a Travel Agency in context Travel, Tourism and Hospitality Industry Development Concepts in Tehri Garhwal, Uttarakhand; Marketing Strategies for a Travel Agency in context Travel, Tourism and Hospitality Industry Development Concepts in Rudraprayag Garhwal, Uttarakhand; Marketing Strategies for a Travel Agency in context Travel, Tourism and Hospitality Industry Development Concepts in Chamoli Garhwal, Uttarakhand; Marketing Strategies for a Travel Agency in context Travel, Tourism and Hospitality Industry Development Concepts in Udham Singh Nagar Kumaon, Uttarakhand; Marketing Strategies for a Travel Agency in context Travel, Tourism and Hospitality Industry Development Concepts in Nainital Kumaon, Uttarakhand; Marketing Strategies for a Travel Agency in context Travel, Tourism and Hospitality Industry Development Concepts in Almora Kumaon, Uttarakhand; Marketing Strategies for a Travel Agency in context Travel, Tourism and Hospitality Industry Development Concepts in Champawat Kumaon, Uttarakhand; Marketing Strategies for a Travel Agency in context Travel, Tourism and Hospitality Industry Development Concepts in Bageshwar Kumaon, Uttarakhand; Marketing Strategies for a Travel Agency in context Travel, Tourism and Hospitality Industry Development Concepts in Pithoragarh Kumaon, Uttarakhand;

History of Personality of Garhwal King Manshah /Man Shah

History of Garhwal including Haridwar (1223- 1804 AD) –part -109      
                                            
 History of Uttarakhand (Garhwal, Kumaon and Haridwar) -355 

                       By: Bhishma Kukreti (A History Research Student)

          According to Manodaya Kavya, Garhwal King Manshah was a serious person, brave as Bheema, and bright as the Sun.
         Manshah used to follow code of conduct (Neetishastra).
          Manshah was always ready to punish the criminals and used to protect and reward to noble people.
              Conditions of Subject under King Manshah

  The people of Garhwal were prosperous and happy in the Manshah ruling period.
 Manshah protected the people of Taknaur and Painkhnada by defeating Tibet looters. Manshah defeated Kumaon king for seven times and his fame reached to other parts of India.

             Statement of Business Tourist William Finch

 The business tourist William Finch appreciated the ruling of Mansha (Manshah). Willam Finch described that the kingdom was in between Ganga and Yamuna Rivers and Shrinagar was the capital. Finch mentions that the King Mansha was brave and strong. The king used to take meal on gold plates. Finch states that the length of Kingdom was 300 Kos and width was 150 Kos. The snow felled on the Dhaulagiri hills and people used to come down towards south in valley. The border of Garhwal king was started 200 Kos from Agra. William described that the South Garhwal –Dehradun and Bhabhar (50 Kos from Sarhind) was very fertile.
                               Manpur the Capital
 Manshah established the capital in a part of Shrinagar at Alaknanda River bank. There were high buildings in Manpur. The fort was beautiful and protected.
 There was grand bazaar in Shrinagar where heavy trading used to happen. Shrinagar was famous for Kasturi or musk.
   The town was famous for scholars, artists and musicians. Pundits were busy in chanting Veda rhymes.
 The night was spectacular by light of earthen lamps.
 There were trees of Kadamb, Kachnar, Mango, Jamun, Dadim etc outside of capital. Common birds were Parrots, cuckoo,  Baj, Pigeons, peacocks, chickens, etc.

                         Court of Manshah

  The ministers of Manshah were learned, righteous and were capable interpreters of Dharmashastra. Ministers were learned to make right judgment. Spies were clever. Manshah used to think before offering judgment. He believes in law and order. King used to take advices from his right advisors and ministers. People were happy under Manshah.


       Ruling Period of Garhwal King Manshah

           Becket stated that ruling period of Manshah was 1498-1518. However, the Devprayag inscriptions of 1608 1nd 1611 disapprove the theory of Backet.
 Raturi stated that ruling period of Manshah was from 1591-1611. This period seems to be correct.

Copyright@ Bhishma Kukreti Mumbai, India, bckukreti@gmail.com1/6/2014
History of Garhwal – Kumaon-Haridwar (Uttarakhand, India) to be continued… Part -356
                                                              
                                      References

1-Dr. Shiv Prasad Dabral, 1971, Uttarakhand ka Itihas Bhag-4, Veer Gatha Press, Dogadda, Pauri Garhwal, India 
2-Harikrishna Raturi, Garhwal ka Itihas
3-Dr. Patiram, Garhwal Ancient and Modern
4-Rahul Sankrityayan, Garhwal
5- Oakley and Gairola, Himalayan Folklore
6- Bhakt Darshan, Garhwal ki Divangit Vibhutiyan
7-Foster, Early Travels in India William Finch
8-Upadhyaya, Shri Shankaracharya
9-Shering, Western Tibet and British
10-H.G. Walton, Gazetteer of British Garhwal
11-B.P.Kamboj, Early Wall Paintings of Garhwal
12-H.g Walton, Gazetteer of Dehradun
13- Vimal Chandra, Prachin Bharat ka Itihas
14-Meera Seth, Wall Paintings of Western Himalayas 
15-Furar, Monumental Antiquities
16-Haudiwala, Studies in Indo-Muslim History
17- Rahul Khari 2007, Jats and Gujjar Origin, History and Culture
18- Upendra Singh, 2006, Delhi: Ancient History, Barghahan Books
19- B.S. Dahiya, 1980, Jats the Ancient Rulers (A Clan Study) , Sterling Publications
20- Maithani, Bharat –Gotrapravardeepika
21 Prem Hari Har Lal, 1993, The Doon Valley Down the Ages
22-Dashrath Sharma, Early Chauhan Dynasties
23- Shailndra Nath Sen, Ancient History and Civilization
24-H.M Elliot, 1867, The History of India as told by its Own Historians
25- Jaswant Lal Mehta, 1979, Advance Study in Medieval India
26- Nau Nihal Singh, 2003, The Royal Gurjars: their contribution to India, Anmol Publications 
27- H. Blochmann, 1873,  Aine e- Akbari Translation
(The History of Garhwal, Kumaon, Haridwar write up is aimed for general readers)
History of Garhwal from 1223-1804 to be continued in next chapter          
Notes on South Asian Medieval History of Garhwal;  SouthAsian Medieval History of Pauri Garhwal;  Medieval History of Chamoli Garhwal;  South Asian Medieval History of Rudraprayag Garhwal;  South Asian Medieval History of Tehri Garhwal;  Medieval History of Uttarkashi Garhwal;  South Asian Medieval History of Dehradun, Garhwal;  Medieval History of Haridwar ;  South Asian Medieval History of Manglaur, Haridwar;  South Asian Medieval History of Rurkee Haridwar ;  South Asian Medieval History of Bahadarpur Haridwar ; South Asian History of Haridwar district to be continued
XX
History of Personality of Garhwal King Manshah /Man Shah; History of Personality of Garhwal King Manshah /Man Shah in context History of Bhabhar Garhwal; History of Personality of Garhwal King Manshah /Man Shah in context History of Haridwar Garhwal; History of Personality of Garhwal King Manshah /Man Shah in context History of Dehradun Garhwal; History of Personality of Garhwal King Manshah /Man Shah in context History of Uttarkashi Garhwal; History of Personality of Garhwal King Manshah /Man Shah in context History of Tehri Garhwal;  History of Personality of Garhwal King Manshah /Man Shah in context History of Rudraprayag Garhwal; History of Personality of Garhwal King Manshah /Man Shah in context History of Chamoli Garhwal; History of Personality of Garhwal King Manshah /Man Shah in context History of Pauri Garhwal;  

Dholak a Membrophonic Musical Instrument used in Garhwali Folk Dramas

Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -162
                  गढ़वाली लोक नाटकों के वाद्य यंत्र
                             
                     Bhishma Kukreti (Folk Literature Research Scholar)
   Dholak is usually used by professional class as Badi, Jagri in Garhwali folk Dramas as Jagri use Dholak in Hantya Ghadela (religious ritual).
            Dholak is two headed hand drum. Dholak has traditional cotton rope lacing, screw –turnbuckle tensioning or both combined in steel case ring for tuning or pegs inside the laces. The shell is made by cheap wood as Mango etc and membrane is made by goat leather. The drum is played by both hand either hung on shoulder, or kept on lap of player or kept on the ground.


Copyright@ Bhishma Kukreti 31/5/2014
Contact ID -bckukreti@gmail.com
Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter
                 References
1-Bharat Natyashastra
2-Steve Tillis, 1999, Rethinking Folk Drama
3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life 
4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research
5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India
6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen 
7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12
8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet
9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments
10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach
11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara
12- Bhishma Kukreti, 2007, Garhwali Lok Swangun ma rasa ar Bhav , Chithipatri
13-Manorama Sharma, Tribal Melodies of Himachal Pradesh: Gaddi Folk Music
14- Anoop Chandola, 1977, Folk Drumming in Himalaya: A Linguistic Approach to Music 
15- Jugal Kishor Petshali, 2002, Uttaranchal ke Lok Vadya
16- Jason Busniewski, Bagpiping in the Indian Himalaya
17- Ian Woodfield, 2000, Music of the Raj
18-Stefen Fiol, 2008, Constructing Regionalism: Discourses of Spirituality and Cultural Poverty in Music of Uttarakhand, North India
19- Andrew Alter, Mountainous Sound Spaces-Listening to History and Music in the Uttarakhand Himalayas  
 XX
Dholak a Membrophonic Musical Instrument in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays;  Dholak a Membrophonic Musical Instrument in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Dholak a Membrophonic Musical Instrument in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia; Dholak a Membrophonic Musical Instrument  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia; Dholak a Membrophonic Musical Instrument in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia;  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia;  Dholak a Membrophonic Musical Instrument  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia

Thanking You . 
Jaspur Ka Bhishma Kukreti

History Review of Relationship of Garhwal King Manshah with Mogul Empire and Western Kingdoms

History of Garhwal including Haridwar (1223- 1804 AD) –part -108      
                                            
 History of Uttarakhand (Garhwal, Kumaon and Haridwar) -354 

                       By: Bhishma Kukreti (A History Research Student)

            According to Bahuguna Vanshavali, Manshah also believed on Tantrik-Mantrik Power and used to perform various Tantrik-Mantrik rituals. Bahuguna Vanshavali states that Bharat Kavi’s Mantrik and Tantrik chanting influenced Manshah winning Utkal, Kameth , Visher, Sirmaur Kingdoms in west of Garhwal Kingdom. However, there is no proof for the statement.

                 Relationship of Manshah with Mogul Empire

  Manodaya Kavya and Bahuguna Vanshvali confirm that Manshah had amicable relation with Mogul Emperor.
  According to Bahuguna Vanshavali, Bharat Bahuguna Kavi was sent to Mogul court for some tax problems. Bharat Kavi influenced Mogul Emperor by his astrological knowledge and happily Mogul Emperor offered Garhwal King the position of Shah. From Man Shah, the Garhwal King or Pal kings started naming them as Shah. Mogul Emperor offered Jyotishray title to Bharat.
  There is mention and praise of Bharat Kavi in Jahangirnama. However, there is no mention of Bharat Kavi or Jyotishray in Akbarnama.

Copyright@ Bhishma Kukreti Mumbai, India, bckukreti@gmail.com31/5/2014
History of Garhwal – Kumaon-Haridwar (Uttarakhand, India) to be continued… Part -355
                                                              
                                      References

1-Dr. Shiv Prasad Dabral, 1971, Uttarakhand ka Itihas Bhag-4, Veer Gatha Press, Dogadda, Pauri Garhwal, India 
2-Harikrishna Raturi, Garhwal ka Itihas
3-Dr. Patiram, Garhwal Ancient and Modern
4-Rahul Sankrityayan, Garhwal
5- Oakley and Gairola, Himalayan Folklore
6- Bhakt Darshan, Garhwal ki Divangit Vibhutiyan
7-Foster, Early Travels in India William Finch
8-Upadhyaya, Shri Shankaracharya
9-Shering, Western Tibet and British
10-H.G. Walton, Gazetteer of British Garhwal
11-B.P.Kamboj, Early Wall Paintings of Garhwal
12-H.g Walton, Gazetteer of Dehradun
13- Vimal Chandra, Prachin Bharat ka Itihas
14-Meera Seth, Wall Paintings of Western Himalayas 
15-Furar, Monumental Antiquities
16-Haudiwala, Studies in Indo-Muslim History
17- Rahul Khari 2007, Jats and Gujjar Origin, History and Culture
18- Upendra Singh, 2006, Delhi: Ancient History, Barghahan Books
19- B.S. Dahiya, 1980, Jats the Ancient Rulers (A Clan Study) , Sterling Publications
20- Maithani, Bharat –Gotrapravardeepika
21 Prem Hari Har Lal, 1993, The Doon Valley Down the Ages
22-Dashrath Sharma, Early Chauhan Dynasties
23- Shailndra Nath Sen, Ancient History and Civilization
24-H.M Elliot, 1867, The History of India as told by its Own Historians
25- Jaswant Lal Mehta, 1979, Advance Study in Medieval India
26- Nau Nihal Singh, 2003, The Royal Gurjars: their contribution to India, Anmol Publications 
27- H. Blochmann, 1873,  Aine e- Akbari Translation
(The History of Garhwal, Kumaon, Haridwar write up is aimed for general readers)
History of Garhwal from 1223-1804 to be continued in next chapter          
Notes on South Asian Medieval History of Garhwal;  SouthAsian Medieval History of Pauri Garhwal;  Medieval History of Chamoli Garhwal;  South Asian Medieval History of Rudraprayag Garhwal;  South Asian Medieval History of Tehri Garhwal;  Medieval History of Uttarkashi Garhwal;  South Asian Medieval History of Dehradun, Garhwal;  Medieval History of Haridwar ;  South Asian Medieval History of Manglaur, Haridwar;  South Asian Medieval History of Rurkee Haridwar ;  South Asian Medieval History of Bahadarpur Haridwar ; South Asian History of Haridwar district to be continued
XX
History Review of Relationship of Garhwal King Manshah with Mogul Empire and Western Kingdoms; History Review of Relationship of Garhwal King Manshah with Mogul Empire and Western Kingdoms in context History of Pauri Garhwal; History Review of Relationship of Garhwal King Manshah with Mogul Empire and Western Kingdoms in context History of Chamoli Garhwal; History Review of Relationship of Garhwal King Manshah with Mogul Empire and Western Kingdoms in context History of Rudraprayag Garhwal; History Review of Relationship of Garhwal King Manshah with Mogul Empire and Western Kingdoms in context History of Tehri Garhwal; History Review of Relationship of Garhwal King Manshah with Mogul Empire and Western Kingdoms in context History of Uttarkashi Garhwal; History Review of Relationship of Garhwal King Manshah with Mogul Empire and Western Kingdoms in context History of Dehradun Garhwal; History Review of Relationship of Garhwal King Manshah with Mogul Empire and Western Kingdoms in context History of Haridwar Garhwal;

Damau, Rauntali, Rauntal, Nagada, Nagara or Kettle Drum a Membranophonic Musical Instrument in Garhwali Folk Dramas

Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -161
                  गढ़वाली लोक नाटकों के वाद्य यंत्र
                              
                     Bhishma Kukreti (लोक साहित्य शोधार्थी)

           Damau, Rauntali, Rauntal, Nagada, Nagara or Kettle Drum is Azerbaijan /Georgian name and is said that the said musical instrument is invented in this region. Nagara came from Arabic word that means to strike or beat.
   Damau, Rauntali, Rauntal, Nagada, Nagara or Kettle Drum is rounded back made by copper or bronze and a hide head. The flat surface is made by leather skin. The Rauntal is played by two wood stick. In Garhwali, the kettle drum is called Rauntali, Rauntal or Damau.

Copyright@ Bhishma Kukreti 30/5/2014
Contact ID -bckukreti@gmail.com
Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter
                 References
1-Bharat Natyashastra
2-Steve Tillis, 1999, Rethinking Folk Drama
3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life 
4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research
5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India
6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen 
7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12
8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet
9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments
10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach
11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara
12- Bhishma Kukreti, 2007, Garhwali Lok Swangun ma rasa ar Bhav , Chithipatri
13-Manorama Sharma, Tribal Melodies of Himachal Pradesh: Gaddi Folk Music
14- Anoop Chandola, 1977, Folk Drumming in Himalaya: A Linguistic Approach to Music 
15- Jugal Kishor Petshali, 2002, Uttaranchal ke Lok Vadya
16- Jason Busniewski, Bagpiping in the Indian Himalaya
17- Ian Woodfield, 2000, Music of the Raj
18-Stefen Fiol, 2008, Constructing Regionalism: Discourses of Spirituality and Cultural Poverty in Music of Uttarakhand, North India
19- Andrew Alter, Mountainous Sound Spaces-Listening to History and Music in the Uttarakhand Himalayas  
 XX
 Damau, Rauntali, Rauntal, Nagada, Nagara or Kettle Drum a Membranophonic Musical Instrument in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays; Damau, Rauntali, Rauntal, Nagada, Nagara or Kettle Drum a Membranophonic Musical Instrument   in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Damau, Rauntali, Rauntal, Nagada, Nagara or Kettle Drum a Membranophonic Musical Instrument in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia; Damau, Rauntali, Rauntal, Nagada, Nagara or Kettle Drum a Membranophonic Musical Instrument  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia; Damau, Rauntali, Rauntal, Nagada, Nagara or Kettle Drum a Membranophonic Musical Instrument in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Damau, Rauntali, Rauntal, Nagada, Nagara or Kettle Drum a Membranophonic Musical Instrument in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia;  Damau, Rauntali, Rauntal, Nagada, Nagara or Kettle Drum a Membranophonic Musical Instrument  in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; Damau, Rauntali, Rauntal, Nagada, Nagara or Kettle Drum a Membranophonic Musical Instrument in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia