उत्तराखंडी ई-पत्रिका

Thursday, January 2, 2014

Rapture of Affection for Parents in Garhwali Folk Dramas

गढवाली लोक नाटकों / लोक नृत्य -गीतों में प्रतिवात्सल्य रस

Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -67

Bhishma Kukreti

The rapture of affection for parents is demonstrated by deep relationship between parents and children. The daughter or son usually talks about her/his parents favoring, protecting, and adoring their children.

Here, in the following folk song and dance , a motherless married woman is remembering her mother that had her mother would alive she would invite her (daughter) to Mayaka (Parental home) in spring time.

The following folk song also depicts images of post spring months of Garhwal.

गढ़वाली लोक नाटकों में प्रति वात्सल्य रस
उलारी मैनों कि ब्वै , ऋतू बौड़ि गे।

हौरि ह्वैने डांडि ब्वै , फूल फूली गैने।

घुघती घूरलि ब्वै , डाळि डाळयुं मांज।

मैतुड़ा बुलालि ब्वै ,बोई होलि जौंकी।

मेरी जिकड़ी मा ब्वै, कुयेड़ी लौंकी।

लाल बणी ह्वेली ब्वै ,काफुळ की डाळी।

खांदा होला ब्वै , लूण राळि राळी।

गौंकी दीदी भूलि ब्वै , जंगळु मा जाली।

कंडी भोरि भोरि ब्वै , हिसर बिराली।

बाडळि लागलि ब्वै, आग भभराली।

बोई बोदि होली ब्वै , मैत आलि आली।

याद औंद मीतै ब्वै , अपणा भूलों की। मेरी जिकड़ी मा ब्वै, कुयेड़ी लौंकी।

ल्हाली कुरी गाडि ब्वै , गौंकी बेटी ब्वारी।

हरी -भरीं होली ब्वै , गेंउ जौ की सारी।

यूँ बार मैनों कि ब्वै ,बार ऋतू आली।

जौंकि बोई होलि ब्वै , मैतुड़ा बुलाली

मैतु ऐ गे होलि ब्वै , दीदी भूलि गौंकी।

मेरी जिकड़ी मा ब्वै, कुयेड़ी लौंकी।
(गीत संकलन : डा शिवा नंद नौटियाल, खुदेड़ गीत )

The above folk song is very good example of rapture of affection for parents.

Review of Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter.

References

1-Bharat Natyashastra

2-Steve Tillis, 1999, Rethinking Folk Drama

3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life

4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research

5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India

6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen

7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12

8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet

9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments

10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach

11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara

12- Bhishma Kukreti, 2007, Garhwali lok Swangun ma rasa ar Bhav , Chithipatri

Rapture of Affection for Parents in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays; Rapture of Affection for Parents in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Rapture of Affection for Parents in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia; Rapture of Affection for Parents in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia; Rapture of Affection for Parents in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Rapture of Affection for Parents in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia; Rapture of Affection for Parents in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; Rapture of Affection for Parents in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia;

गढवाली लोक नाटकों में प्रति वात्सल्य रस टिहरी गढ़वाल के गढवाली लोकनाटकों में प्रति वात्सल्य रस;उत्तरकाशी गढ़वाल के गढवाली लोक नाटकों में प्रति वात्सल्य रस, हरिद्वार गढ़वाल के गढवाली लोक नाटकों में प्रति वात्सल्य रस;देहरादून गढ़वाल के गढवाली लोक नाटकों में प्रति वात्सल्य रस;पौड़ीगढ़वाल के गढवाली लोक नाटकों में प्रति वात्सल्य रस;चमोली गढ़वाल केगढवाली लोक नाटकों में प्रति वात्सल्य रस; रुद्रप्रयाग गढ़वाल के गढवालीलोक नाटकों में प्रति वात्सल्य रस;

Gyana ar Binjara: Garhwali Folk Story for Branding Managers

Garhwali Folk Tales, Fables, Traditional stories, Community Narratives for Effective Managers, Effective executives, Effective Boss, Effective Supervisors or Stories for Effective management, management Lesson from Garhwali Folk Literature from Garhwal, part- 45

Collected and edited by: Bhishma Kukreti (Management Training Expert)

Usually, in Garhwal the names of crop fields or farming fields are based on the characteristics of the farm place and not on the basis of personal name. For example where ‘Laya’ is grown called ‘Layad’, ‘Banjan’ means the place where Oak (banj) forest is there, ‘Chaudi’ means the field are long and wide, ‘twal’ means the land is with lime etc.

Below in south of village Jaspur, Malla Dhangu (Pauri Garhwal), there is a place called ‘Gyana’ and in the east a place called Binjara. This author asked his elder uncle late Shri Murlidhar Kukreti about name of place (farming field) based on personal name.

My uncle told me the following story for such variation.

There was Gorkhyani or Gorakha (Nepal) rule over Garhwal more than a decade. Gorakha rulers and government servants were the cruelest most in our history. The soldiers used to burn the standing crops or used to plough standing crops. To kill a human being on petty mistakes was a common system in Gorkha rule. Gorkhyani or Gorakha rule is remembered with fear due to their aggressive, oppressive ways of ruling.

Ghansali was the military base of Gorkha soldiers and administrators for Dhangu, Udaypur and Dabralsyun. Among the Gorakha administrative officers, Gyan Singh and Binjara Singh were the cruelest.

When Gorakha rule came to an end, the Gorakha soldiers started running for their countries Nepal. People of Dhangu were so much terrorized by Gyan Singh and Binjara that people wanted to kill them. People started following Gyana and Binjara to kill both of them. Gyana ran and was caught in the southern territory of Jaspur village. People killed him there. Binjara was caught in the east of Jaspur in Gweel territory.

Now, where Gyan Singh was killed is called Gyana and where Binjara Singh was killed is called as Binjara’.

Garhwali Folktales, Fables, Traditional stories for Managers,/executives, boss, supervisors or Stories for management from Garhwal to be continued…

References

1-Bhishma Kukreti, 1984, Garhwal Ki Lok Kathayen, Binsar Prakashan, Lodhi Colony, Delhi 110003,

2- Bhishma Kukreti 2003, Salan Biten Garhwali Lok Kathayen, Rant Raibar, Dehradun

3- Bhishma Kukreti, Garhwali Lok Kathaon ma Prabandh Vigyan ka Tantu , Chitthi Patri’s Lok Kathayen Visheshank , Dehradun

Garhwali Folk Story for Branding Managers; Garhwali Folk Story from Malla Dhangu Garhwal, Himalaya for Branding Managers; Garhwali Folk Story from Gangasalan Garhwal, Himalaya for Branding Managers; Garhwali Folk Story from Lansdowne Garhwal, Himalaya for Branding Managers; Garhwali Folk Story from Pauri Garhwal, Himalaya for Branding Managers; Garhwali Folk Story from Chamoli Garhwal, Himalaya for Branding Managers; Garhwali Folk Story from Rudraprayag Garhwal, Himalaya for Branding Managers; Garhwali Folk Story from Tehri Garhwal, Himalaya for Branding Managers; Garhwali Folk Story from Uttarkashi Garhwal, Himalaya for Branding Managers; Garhwali Folk Story from Dehradun Garhwal, Himalaya for Branding Managers; Garhwali Folk Story from Haridwar Garhwal, Himalaya for Branding Managers; Garhwali Folk Story from Garhwal, Himalaya, North India for Branding Managers;

History aspects of Characteristics of Chand/Chandra Kings Administration

(History of Kumaon from 1000-1790 AD)

(History of Panwar Dynasty Rule in Kumaon)

History of Uttarakhand (Garhwal, Kumaon, Haridwar) - Part 234

By: Bhishma Kukreti

The King was Owner of Land

As per custom, the King was owner of land, kingdom, forest, minerals and all properties of the Kingdom.

The King would take appropriate decision to distribute the kingdom property and wealth. The King was customary authorized to award, reward, punish and could provide death sentence to anybody. All these rights were till he was King. Before being king or after thrown out as King he did not have those rights of the King.

Initially when Chand Kings were ruler of small territory, they were called ‘Raja’. Initially, their territory or fortes was called ‘Rajbunga’. Even when Chandra or Chand kings were under they used to have title of ‘Maharaja’. In inscriptions, Gyan Chandra’s title was ‘Raja’ in 1389 and in 1418, he his title was “Rajdhiraj’.

The title of Bharti Chandra was ‘Maharaja’ in 1477 and under the title of Doti Kalyan Chandra was ‘Mahadhiraj’ in 1733.

Anant Dev called Bajbahadur and his predecessors as ‘Nripati’. Shah Jahan called Bajbahadur as “Jagirdar of Kumaon’.

Ministers of Cabinet in Chand Kingdom

Broadly, there were three layers of cabinet ministers or administrators

1-Religious administrators – Pauranik Guru, Purohit and Dharmadhikari

2-King family – Maharajkumar (crowned prince), Lala or Gusain (younger princes)

3-Public and Defense Administrators- Deewan, Bakshi, Bisht, Bajir, Mukhtyar were as today’s secretary of deputy ministers. There were Lekhiya, Faujdar, Sradar, adhikari, Bhandari, Musahib and other administrative officers.

King used to take advices from Guru, Maharajkumar, Mukhtar, Deewan, Bakshi, Faujdar, Lekhwar and Hakim of Mal.

Mukhtyar or Mukhtar- Mukhtar was chief minister of the King.

Deewan, Bakshi and Bisht (Bajeer) - These administrative positions were important positions under Mogul Emperor and were copied in Kumaon too. Bakshi was minister for defense and economic establishments. Bajir was mainly related to general administration. Many times, same person was incharge of both the positions as Harsh Dev was Bajir and Bakshi in deep Chandra period.

There was no clarity about the duties and responsibilities of these posts. Depending upon the situation, a person used to interfere in other administrator’s area.

Lekhyari or daftari- He was as Chief Director of court. Under him other record officers were appointed. There were administrators (sahayak lekhwar) for each Pargana (region). Initially, Ratangali Bhatt and Sahu of Dwarhat were lekhwar. In later stage, Adhikari (caste) were lekhwar. However, after the capital was shifted to Almora, Chaudhari of Jwalamukhi took posts of Lekhwar from Sahu caste people.

Kalamdan - The important orders from the Kings were communicated from Kalamdan office. ‘kalamdan office used to be under Bajir. Bajir was responsible for ‘kalamdan’. The King used to sign on inscriptions. The king used to sign on order only after bajir would give pen to the King (it was a type of formal advice from Bajir). The king only used the ink from official inkpot. The key of ‘Kalamdan’ used to be with Bajir.

**Read more about administrators in Chand Kingdom on Chapter -235

References

Dr. Shiv Prasad Dabral, Uttarakhand ka Itihas Bhag 10, Kumaon ka Itihas 1000-1790

Badri Datt Pande, 1937, Kumaon ka Itihas, Shri Almora Book Depo Almora

Devidas Kaysth, Itihas Kumaon Pradesh

Katyur ka Itihas, Pundit Ram Datt Tiwari

Oakley and Gairola, Himalayan Folklore

Atkinson, History of District Gazette

Menhadi Husain, Tuglak Dynasty

Malfujat- E Timuri

Tarikh -e-Mubarakshahi vol 4

Kumar Suresh Singh2005, People of India

Justin Marozzi, 2006, Tamerlane: Sword of Islam

Bakshsingh Nijar, 1968, Punjab under Sultans 1000-1526

The Imperial Gazetteer of India, Volume 13 page 52

Bhakt Darshan, Gadhwal ki Divangit Vibhutiyan

Mahajan V.D.1991, History of Medieval India

Majumdar R.C. (edited) 2006, The Sultanate

Rizvi, Uttar Taimur Kalin Bharat

Tarikhe Daudi

Vishweshara nand , Bharat Bharti lekhmala

Aine-e Akbari

Akbari Darbar

Tareekh Badauni

Eraly Abraham, 2004 The Mogul Throne

The Tazuk-i-Jahangiri

Maularam- Gadh Rajvansh Kavya

Ramayan Pradeep

Annatdev’s Smriti-Kaustubh

Sarkar, History of Aurangzeb

Jadunath Sarkar, History of Aurangzeb

Sarkar, fall of Mogul Empire

Sailendra Nath Sen, 2010, An Advanced History of Modern India

(The History of Garhwal, Kumaon, Haridwar write up is aimed for general readers)

History of Garhwal – Kumaon-Haridwar (Uttarakhand, India) to be continued… Part -235

History of Kumaon (1000-1790) to be continued….

Himalayan, Indian History of Chand Dynasty rule in Kumaon to be continued…

(Himalayan, Indian History (740-1790 AD to be continued…)

History aspects of Characteristics of Chand/Chandra Kings Administration; History aspects of Characteristics of Chand/Chandra Kings Administration in Udham Singh Nagar; History aspects of Characteristics of Chand/Chandra Kings Administration in Nainital; History aspects of Characteristics of Chand/Chandra Kings Administration in Almora; History aspects of Characteristics of Chand/Chandra Kings Administration in Champawat; History aspects of Characteristics of Chand/Chandra Kings Administration in Bageshwar; History aspects of Characteristics of Chand/Chandra Kings Administration in Pithoragarh; History of Kumaon, Himalaya; History of Pithoragarh Kumaon, Himalaya; History of Champawat Kumaon, Himalaya; History of Bageshwar Kumaon, Himalaya; History of Nainital Kumaon, Himalaya; History of Almora Kumaon, Himalaya; History of Udham Singh Nagar Kumaon, Himalaya; History of Kumaon, Himalaya, North India; History of Kumaon, Himalaya, South Asia;

कुमाऊं मंडल शिक्षा निदेशक का परिवार लंदन में क्यों रहता है ?

चुगनेर,चबोड़्या -चखन्यौर्या -भीष्म कुकरेती

(s =आधी अ = अ , क , का , की , आदि )

(ब्याळि आपन पौढ़ कि जगमोहन कंडारीन शिक्षा मंत्री घ्याळ दा तैं सूचना दे कि गां मा द्वी चार पोस्टर लग्यां छन जखमा लिख्युं छौ हमारा विधायक देहरादून में खो गया है। पता बताने वाले को भारी इनाम दिया जाएगा। शिक्षा मंत्रीन जगमोहन तै देहरादून बुलाइ )

घ्याळ दा - ए भै जरा डिकोरसन सेक्रेटरी तैं भेजो।

चपड़ासी - भिजुद छौं

माणावाल -एनीथिंग स्पेसिफिक सर !

घ्याळ दा -हां वु म्यार क्षेत्र से म्यार दगड्या अर पार्टी कार्यकर्ता भोळ इख आणु च।

माणावाल - तो ? डिकोरेसन सेक्रेटरी !

घ्याळ दा - वु जरा जगमोहन कु शिक्षा विभागौ गेस्ट हॉउस मा रौणो इंतजाम करण छौ।

माणावाल (चपड़ासी से ) - भै सूणो डिकोरेसन सचिव तै अबि नि बुलावो।

घ्याळ दा - तो आप ही जगमोहनौ रौणो इंतजाम शिक्षा विभाग गेस्ट हॉउस मा करि देल्या ?

माणावाल -येस सर ! नो सर !

घ्याळ दा -क्या ? हाँ बि अर ना बि ?

माणावाल -सर ! येस सर त सम्बोधन च अर नो सर माने जगमोहन जीक रौणो इंतजाम शिक्षा विभागौ गेस्ट हाउस मा नि ह्वे सकद ?

घ्याळ दा -किलै ? अबि त क्वी बड़ी मीटिंग बि नी च तो ?

माणावाल -सर गेस्ट हॉउस फुल्ल च।

घ्याळ दा -माणावाल जी ! मान ग्यों आप हरेक चीज को एडमिनिस्ट्रेसन बड़ा बारीकी से करदां भै कि आप तैं गेस्ट हाउस की अक्युपेंसी का बारा मा बि पूरी मालुमात च।

माणावाल -एस सर ! नो सर !

घ्याळ दा -मतबल ?

माणावाल -जी ! मि तैं पता च कि अगला दस सालुं मा बि शिक्षा विभागौ गेस्ट हाउस खाली नि ह्वे सकुद।

घ्याळ दा -क्या मतलब ? तो जगमोहन गेस्ट हॉउस मा नि रै सकुद ?

माणावाल -ना ! अगला दस साल तलक त चांस नी च।

घ्याळ दा -किलै ?

माणावाल -जी गढ़वाल कमिश्नरी का क्षेत्रीय शिक्षा निदेशक कु प्रमोसन अगला दस साल तक त ह्वे नि सकद तो ....

घ्याळ दा -क्या ?

माणावाल -इनी कुमाऊं मंडलीय शिक्सा निदेशक को प्रमोसन अगला तेरा साल तलक ह्वे नि सकुद। तो गेस्ट हाउस का तिसर मंजिल खाली नि ह्वे सकद।

घ्याळ दा -माणावाल जी कुमाऊं या गढ़वाल मंडलीय शिक्षा निदेशकों प्रमोसन से गेस्ट हॉउस कु क्या तालुकात ?

माणावाल - जी इन च कि यी द्वी मंडलीय शिक्षा निदेशक परमानेंटली गेस्ट हॉउस मा रौंदन

घ्याळ दा -पण मंडलीय निदेशक याने रीजनल एज्युकेशन डाइरेक्टर्स तो पौड़ी अर अल्मोड़ा मा राला कि ना ?

माणावाल -ऑफिसियली येस ! बट इन रियल सेन्स दे रिसाइड परमानेंटली इन देहरादून

घ्याळ दा - क्या मतलब भै कि गढ़वाल क्षेत्रीय शिक्षा निदेशक ऑफिसियली पौड़ी मा रौंद पण वास्तव मा वो देशरादून मा ही रौंद ?

माणावाल -जी ऑफिसियली कुमाऊं मंडल शिक्षा निदेशक अल्मोड़ा मा रौंद पण वास्तव मा वो हमेशा देहरादून मा ही निवास करदन।

घ्याळ दा - माणावाल जी यी चकरघिनी ब्यूरेक्रेटिक भाषा मा नि ब्वालो सीधा ब्वालो कि असलियत क्या च ?

माणावाल -जी इन च यद्यपि गढ़वाल मडल शिक्षा निदेशक कु कार्यालय पौड़ी मा च पण निदेशक साब मगलवार से शुक्रवार तक देहरादून मा ही रौंदन। इनी कुमाऊं का हाल छन

घ्याळ दा -फिर शनिवार से रविवार तक कख रौंदन

माणावाल -जी हरेक मडंलीय निदेशक शनिवारौ -रविवारौ कुण पौड़ी या अल्मोड़ा मा रौंदन।

घ्याळ दा -अर सोमवारौ कुण ?

माणावाल -सोमवार ट्रांजिट डे।

घ्याळ दा -तो समझ ग्यों। याने द्वी मंडलीय शिक्षा निदेशक वीकेंड पिकनिक मनाणो पहाड़ जांदन

माणावाल -एस सर ! नो सर !

घ्याळ दा -मतबल ?

माणावाल -मी ऑफिसियली इन नि बोल सकुद कि द्वी मंडलीय शिक्षा निदेशक वीकेंड पिकनिक मनाणो पहाड़ जांदन।

घ्याळ दा -कब बिटेन चलणु च यु गोरखधंधा ?

माणावाल -जी लखनऊ से ही। जब उत्तरप्रदेश राज्य छौ।

घ्याळ दा -तो जब यूं क्षेत्रीय निदेशकुन देहरादून ही रौण तो फिर यूँकुण इखि स्थायी निवासौ इंतजाम किलै नि करे गे भै ?

माणावाल -सर ऑफिसियली क्षेत्रीय शिक्षा निदेशक देहरादून मा स्थायी तौर से निवास नि करि सकदन। मंडलीय शिक्षा निदेशकों मुख्य कर्तव्य च कि क्षेत्रीय शिक्षा स्टैंडर्ड मा बढ़ोतरी हो।

घ्याळ दा -पण अनऑफिसियली तो द्वी इखि देहरादून ही रौंदन।

माणावाल -एस ऐंड नो। .

घ्याळ दा -क्या ?

माणावाल -द्वी क्षेत्रीय शिक्षा निदेशक देहरादून ऑफिसियल विजिट पर आंदन।

घ्याळ दा -हफ्ता मा छै दिन काम हूंद अर यी रीजनल डाइरेक्टर चार दिन देहरादून विजिट पर आंदन या रौंदन अर एक दिन ट्रांजिट मा ?

माणावाल -जी !

घ्याळ दा -माणावाल जी ! क्या इन व्यवस्था शिक्षा विभाग का वास्ता ठीक च ?

माणावाल -जी ऑफिसियली मि क्वी टिप्प्णी नि कौर सकुद।

घ्याळ दा -चलो अनऑफिसियली अपण विचार बतावो।

माणावाल -सर प्रावेट सक्रेटरी शिक्षा मंत्री समिण अनऑफिसियली विचार नि रख सकुद।

घ्याळ दा -अच्छा चलो यदि रिटायरमेंट का बाद आप आत्मकथा लिखिल्या तो इन प्रशासन का बारा मा क्या लिखिल्या

माणावाल -तो मी लिखुल कि शिक्षा का दगड़ ये से बड़ो भयंकर मजाक ह्वैइ नि सकुद कि क्षेत्रीय निदेशक देहरादून मा रौंदन अर छुट्टी मनाण जन पौड़ी या अल्मोड़ा अपण दफतर जांदन।

घ्याळ दा -एक बात त बथावदी कि गढ़वाल रीजनल डायरक्टर की फेमिली कख रौंदि ?

माणावाल -जी दिल्ली।

घ्याळ दा -किलै ?

माणावाल - गढ़वाल मंडलीय शिक्षा निदेशक कु मानण च कि उत्तराखंड मा एज्युकेशन स्टैण्डर्ड थर्ड क्लास च, रद्दी च,बोगस च, त बच्चों शिक्षा बान ऊंक फेमिली दिल्ली ही रौंद। उख रिहायसी इलाका मा ऊंक बड़ो बंगलो च।
घ्याळ दा -अर कुमाऊं मंडलीय शिक्षा निदेशक की फेमिली कख रौंदि ?
माणावाल -जी लंदन मा। . कुमाऊं मंडलीय शिक्षा निदेशक कु नजरिया च कि इंडिया मा एज्युकेशन स्टैंडर्ड कबि बि नि सुधर सकुद तो ऊंक फेमिली बच्चों शिक्षा बान लंदन मा रौंदि।

घ्याळ दा - माणावाल जी ! इन नि लगुद कि हर शाख पर उल्लू बैठा है इस गुलिस्तां का क्या होगा ?

माणावाल - येस सर ! नो सर !

** कल पढ़ें शिक्षा गेस्ट हॉउस में और कौन कौन लोग रहते हैं ?

[गढ़वाली हास्य -व्यंग्य, सौज सौज मा मजाक से, हौंस,चबोड़,चखन्यौ, सौज सौज मा गंभीर चर्चा ,छ्वीं;- जसपुर निवासी के जाती असहिष्णुता सम्बंधी गढ़वाली हास्य व्यंग्य; ढांगू वाले के पृथक वादी मानसिकता सम्बन्धी गढ़वाली हास्य व्यंग्य;गंगासलाण वाले के भ्रष्टाचार, अनाचार, अत्याचार पर गढ़वाली हास्य व्यंग्य; लैंसडाउन तहसील वाले के धर्म सम्बन्धी गढ़वाली हास्य व्यंग्य;पौड़ी गढ़वाल वाले के वर्ग संघर्ष सम्बंधी गढ़वाली हास्य व्यंग्य; उत्तराखंडी के पर्यावरण संबंधी गढ़वाली हास्य व्यंग्य;मध्य हिमालयी लेखक के विकास संबंधी गढ़वाली हास्य व्यंग्य;उत्तरभारतीय लेखक के पलायन सम्बंधी गढ़वाली हास्य व्यंग्य; मुंबई प्रवासी लेखक के सांस्कृतिक विषयों पर गढ़वाली हास्य व्यंग्य; महाराष्ट्रीय प्रवासी लेखक का सरकारी प्रशासन संबंधी गढ़वाली हास्य व्यंग्य; भारतीय लेखक के राजनीति विषयक गढ़वाली हास्य व्यंग्य;सांस्कृतिक मुल्य ह्रास पर व्यंग्य , गरीबी समस्या पर व्यंग्य, आम आदमी की परेशानी विषय के व्यंग्य, जातीय भेदभाव विषयक गढ़वाली हास्य व्यंग्य; एशियाई लेखक द्वारा सामाजिक बिडम्बनाओं, पर्यावरण विषयों पर गढ़वाली हास्य व्यंग्य, राजनीति में परिवार वाद -वंशवाद पर गढ़वाली हास्य व्यंग्य; ग्रामीण सिंचाई विषयक गढ़वाली हास्य व्यंग्य, विज्ञान की अवहेलना संबंधी गढ़वाली हास्य व्यंग्य ; ढोंगी धर्म निरपरेक्ष राजनेताओं पर आक्षेप , व्यंग्य , अन्धविश्वास पर चोट करते गढ़वाली हास्य व्यंग्य श्रृंखला जारी ]

Vatsalya Rasa or Rapture of Affection for Progeny in Garhwali Folk Dramas

गढवाली लोक नाटकों / लोक नृत्य -गीतों में वात्सल्य रस

Review of Characteristics of Garhwali Folk Drama, Folk Theater/Rituals and Traditional Plays part -66

Bhishma Kukreti

In Garhwali there are tens of folk songs related to rapture of affection for children from parents. The following song is marvelous example of rapture of pathos and rapture of affection for progeny.

In this ong, the son is buried in bank of rivulet and his mother is remembering her dead son.

गढ़वाली लोक नाटकों में वात्सल्य रस

जैं रौली सियों च लाडो म्यारो ,

वीं रौली जौंलो कि न ?

भूख लगीं होली दूदी मांगलो,

कळेजा कु कत्तर रूणू ह्वालो

खुद मा मेरी टपराणु ह्वालो

कुयेड़ी माँ होलो बाटो बिरड़णु

बिन ब्वेको म्यारो होलो रूणू।

(गीत संकलन: डा शिवा नंद नौटियाल, श्याम गढ़वाली लोक गीत)

Translation

My beloved son is sleeping in rivulet (buried after death)

Should I visit that rivulet or not to visit that rivulet?

My son would by crying due to hunger

He would be searching mother for milk

My part of heart (dad son) would not find his mother and he would be crying alone

He would be searching mother here and there

Now, the valley is covered by cloud

He would have lost the pat in cloudy valley

My son the motherless (dead son ) will be weeping without mother

Review of Characteristics of Garhwali Folk Drama, Community Dramas; Folk Theater/Rituals and Traditional to be continued in next chapter.

References

1-Bharat Natyashastra

2-Steve Tillis, 1999, Rethinking Folk Drama

3-Roger Abrahams, 1972, Folk Dramas in Folklore and Folk life

4-Tekla Domotor , Folk drama as defined in Folklore and Theatrical Research

5-Kathyrn Hansen, 1991, Grounds for Play: The Nautanki Theater of North India

6-Devi Lal Samar, Lokdharmi Pradarshankari Kalayen

7-Dr Shiv Prasad Dabral, Uttarakhand ka Itihas part 1-12

8-Dr Shiva Nand Nautiyal, Garhwal ke Loknritya geet

9-Jeremy Montagu, 2007, Origins and Development of Musical Instruments

10-Gayle Kassing, 2007, History of Dance: An Interactive Arts Approach

11- Bhishma Kukreti, 2013, Garhwali Lok Natkon ke Mukhya Tatva va Charitra, Shailvani, Kotdwara

12- Bhishma Kukreti, 2007, Garhwali lok Swangun ma rasa ar Bhav , Chithipatri

Rapture of Affection for Progeny in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays; Rapture of Affection for Progenyin Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Chamoli Garhwal, North India, South Asia; Rapture of Affection for Progeny in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Rudraprayag Garhwal, North India, South Asia; Rapture of Affection for Progeny in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Pauri Garhwal, North India, South Asia; Rapture of Affection for Progeny in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Tehri Garhwal, North India, South Asia; Rapture of Affection for Progeny in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Uttarkashi Garhwal, North India, South Asia; Rapture of Affection for Progeny in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Dehradun Garhwal, North India, South Asia; Rapture of Affection for Progeny in Garhwali Folk Drama, Folk Rituals, Community Theaters and Traditional Plays from Haridwar Garhwal, North India, South Asia;

गढवाली लोक नाटकों में वात्सल्य रस टिहरी गढ़वाल के गढवाली लोक नाटकों में वात्सल्य रस;उत्तरकाशी गढ़वाल के गढवाली लोक नाटकों में वात्सल्य रस, हरिद्वार गढ़वाल के गढवाली लोक नाटकों में वात्सल्यरस;देहरादून गढ़वाल के गढवाली लोक नाटकों में वात्सल्य रस;पौड़ीगढ़वाल के गढवाली लोक नाटकों में वात्सल्य रस;चमोली गढ़वाल केगढवाली लोक नाटकों में वात्सल्य रस; रुद्रप्रयाग गढ़वाल के गढवाली लोक नाटकों में वात्सल्य रस;